Catalogue > By Keyword > French
12 results | Page 1 of 2
Performing Idea Symposium documentation
Video documentation of contributions to the Performing Idea Symposium, investigating the shifting relations between performance practice and discourse, event and writing; Toynbee Studios, 5-9/10/2010.
Includes nine files, containing videos of contributions on In Silence, Performative Writing, Reciprocal Aesthetics and Living Archives.
ALAG: A Live Art Gala documentation
On Thursday October 2, 2014, LADA presented ALAG, its first-ever fundraising event, which took place at the Royal Vauxhall Tavern in London.
1:41
Sarrasine
Printed version of the 1830 novella by Honoré de Balzac, edited by Jim Manis and translated by Clara Bell and others.
Danse: An Anthology
A collection of key writings on choreography across the French, U.S and international dance scenes since the turn of the century.
Visions of Excess: Selected Writings, 1927-1939
Selected writings of French surrealist Georges Bataille.
densité +_ 0
Volume documenting the annual exhibition by young artists and critics commissioned by the École Nationale Supérieure Des Beaux-Arts. Curated by Caroline Ferreira d’Oliveira and Marianne Lanavére.French with some English translations.
Bizarre
Sista Fab & Sil Matadin, Bizarre, Making a hit – as an art piece, Read My Lips
Performing Idea: Performative Writing
Performance Matters: Performing Idea – Performative Writing 8th October 3.00-7.30pm (not 7th as stated on disk) Toynbee Studios.
The Last Performance (A Lecture)
“Invited at the same time by the Hebbel Theatre in Berlin, the Tanz-Quartier in Vienna and the Centre National de la Danse in Paris to perform The Last Performance (D0624) I decided, instead of presenting the piece, to make a lecture about its issues. I had the feeling that this difficult piece had not been really understood. Maybe the piece was bad. But I believe that the issues of this piece were relevant, which is why I would like to change my medium and to use the tool of the lecture to try to articulate better the stakes of The Last Performance. I will re-contextualise the piece in its theoretical level through the texts of Roland Barthes and Peggy Phelan and in my artistic situation at that time.”Jérôme Bel www.jeromebel.fr This documentation has since been presented with the permission of the artist as part of the Performance Matters, Performing Idea, Performance Lecture Archive; an interactive video archive housed at the Whitechapel Gallery between 2-9 October 2010. The archive looked at examples of the performance lecture as a form of artistic and critical expression and its potential to address a broad range of cultural issues and philosophical ideas. This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
