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köppl/začek 1997-2007
Text and photographic documentation of the work of Jörg Köppl and Peter Začek.
Kindly donated as part of the Swiss Live Art Study Room Guide.
Text in German.
Dream Babes 2.0
Zine focusing on the questions that speculative fiction can ask which are especially important now.
PLAYING UP: A Live Art Game for Kids and Adults (second edition)
Second edition of the artwork exploring the potential of Live Art to bridge generations.
A Manifesto for a New Walking Culture: ‘dealing with the city’
A manifesto for the active and creative pedestrian – envisioning a walking that is neither a functional necessity (to shops, to work) nor a passive appreciation of (or complaint about) the urban environment.
Activating Cities
A practical handbook on the lost art of getting lost, reading the signs around you, following their lead, and creating your own.
Prayer for the Abstract
Resisting the control of the image, transcending from the 2-dimensional, practicing being-a-body-in-the-world.
Idit Elia Nathan: Footnotes Playing Dead catalogue
Published on the occasion of the Idit Elia Natham exhibition at Standpoint Gallery, London. 16 January – 14 February 2015.
Part of the Library of Performing Rights (LPR) (P3041).
action recipes
Part of Know How: A Study Room Guide on Live Art and working with older individuals and communities (P3140).
Shoot an Iraqi: Art, Life and Resistance Under the Gun
The project received overwhelming worldwide attention and spawned provocative online debates; ultimately, Bilal was named Chicago Tribune’s Artist of the Year. Structured in two parallel narratives, the story of Bilal’s life journey and his Domestic Tension experience, Shoot an Iraqi is for anyone who seeks insight into the current conflict in Iraq and for those fascinated by interactive art technologies and the ever-expanding world of online gaming.
Oogly Boogly
What happens when a 12-18 month old is let loose in a soft, safe space with someone who follows and reflects their every sound, move and mood? The interaction between babies, performers and the audience of parents and carers is what makes this an utterly unpredictable event.
Includes a 10 minute edit and a video of the 45 minute performance a the 2005 Melbourne Festival.
Part of the Study Room Guide on Live Art and Kids (P3091).