Catalogue > By Keyword > gay
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Queer Notions: New Plays and Performances from Ireland
A record of some of the most important performative ideas and embodied interventions that have shaped queer culture and theatre and performance practice in Ireland in recent times, principally in the years following the decriminalization of homosexuality in. 1993, up.
The Routledge Reader in Gender and Performance
Reviews ways in which sexuality has been explored and expressed in new forms of performance art and dance, women’s contributions to theatre history, and how theatre has represented women over the centuries.
Part of the Library of Performing Rights (LPR) (P3041).
Performance Artist: This is my work 2003-2010
See D1492 for DVD compilation of Jess Dobkin’s work.
Performance Artist: Compilation DVD 2003-2010
www.jessdobkin.comSee also P1525 for Jess Dobkin: This is my work.
Gross Indecency: true stories from the gay clubs of the sixties
Programme for Gross Indecency: true stories from the gay clubs of the sixties.
Talking Heads Screening Programme
Curated by the Live Art Development Agency for Liveworks, at Performance Space Sydney 10 – 14 November 2010.
‘Talking Heads’ are short presentations by artists to camera about their practice and approaches to making. The ‘Talking Heads’ films are part of the Agency’s ‘Documentation Bank’ Collection, which consists of an extensive range of artists’ ‘Talking Heads’ films, documentation of artists’ works and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
This Filthy World
This documentation has since been presented with the permission of Revelation Films as part of the Performance Matters, Performing Idea, Performance Lecture Archive; an interactive video archive housed at the Whitechapel Gallery between 2-9 October 2010. The archive looked at examples of the performance lecture as a form of artistic and critical expression and its potential to address a broad range of cultural issues and philosophical ideas.
Theatre & Sexuality
Gross Indecency: True Stories from the Gay Clubs of the Sixties
Jack Smith’s Rehearsals for the Destruction of Atlantis: ‘Exotic’ Ritual and Apocalyptic Tone
Engaging a series of critical models, this article examines the place of the ‘exotic’ in thinking about sexual and racial difference, as a means of thinking difficult or volatile modes of cultural practice. As such, it stages a confrontation between ‘exotic ritual’ and ‘apocalyptic tone’, to challenge conventions about scholarly practice and find new ways of examining uncomfortable spaces and modes of working.
