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Mary Fulkerson

Artist/Author: Stephanie Jordan | Reference: A0792 | Type: Article

Discusses the work of a seminal figure in British New Dance.

Rambert’s Alston

Artist/Author: Alastair Macaulay | Reference: A0791 | Type: Article

From the special collaborative issue Rambert at the Big Top.

Easing the Load

Artist/Author: Sophie Constanti | Reference: A0790 | Type: Article

The Spring Loaded Season as the Place.

Rosemary Butcher

Artist/Author: Stephanie Jordan | Reference: A0786 | Type: Article

On 10 Years On: a retrospective (Riverside Studios, 1985).

The Women - Feminism, Dance and Gaby Agis

Artist/Author: Chris Savage-King | Reference: A0784 | Type: Article

On the launch of Gabi Agis’ company.

Sickled Feet, Scrunched Shoulders and Sexual Stereotypes

Artist/Author: Anthony Peppiatt, Nigel Charnock | Reference: A0781 | Type: Article

Conversation between two members of the Ludus Dance Company.

“I’m Still Coming” Coming to Power 2016 & 1993

Editor: Ellen Cantor | Reference: P3521 | ISBN: 9780997444636 | Type: Publication

A dual catalogue and archival exposé that explores the pivotal exhibition, Coming to Power: 25 Years of Sexually X-Plicit Art By Women, originally curated by the late artist, Ellen Cantor, in 1993, along with its re-staging in 2016 by curator Pati Hertling and artist Julie Tolentino.

Part of the Library of Performing Rights (LPR) (P3041).

How Does Freedom Taste?

Artist/Author: Colette Copeland and Adam Wesley Georges | Reference: P3529 | ISBN: 9781367215887 | Type: Publication

A correspondence between The Victorian Woman and THE MAN. During the summer of 2016, The Victorian Woman traveled on an epic month-long journey to Southeast Asia in an attempt to liberate herself from THE MAN. Their daily correspondence in the form of relief printed and hand-drawn postcards reflects their emotional struggles and curious revelations as they attempt to reconcile the nature of their relationship.

Women, the arts and globalization

Editor: Marsha Meskimmon,‎ Dorothy C. Rowe | Reference: P3532 | ISBN: 978-0719096716 | Type: Publication

The essays in Women, the Arts and Globalization demonstrate that women in the arts are rarely positioned at the centre of the art market, and the movement of women globally (as travelers or migrants, empowered artists/scholars or exiled practitioners), rarely corresponds with the dominant models of global exchange. Rather, contemporary women’s art practices provide a fascinating instance of women’s eccentric experiences of the myriad effects of globalization.

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