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Trajal Harrell: Hoochie Koochie
Exhibition catalogue for the eponymous performance exhibition. The Barbican, 20 July to 13 August 2017.
Life and Death on the New York Dance Floor, 1980-1983
Interviewing DJs, party hosts, producers, musicians, artists, and dancers, Lawrence illustrates how the relatively discrete post-disco, post-punk, and hip hop scenes became marked by their level of plurality, interaction, and convergence. He also explains how the shifting urban landscape of New York supported the cultural renaissance before gentrification.
Just Like a Woman and Old Dears documentation
Two LADA programmes, as part of the 2015 Sacred season at Chelsea Theatre, London, in November 2015.
4 Radnor Terrace: A Woman’s Place
Publication accompanying the exhibition 56 Artillery Lane, Raven Row, 21 April-11 June 2017.
We Green Things programme
Programme for the evening of green, monstrous, post-human drag performance.
Girls Make Noise or Girls Make a Difference?
An Investigation into the political efficacy of Pussy Riot’s art.
“Caoineadh na mairbh”: Vocalising Memory and Otherness in the Early Performances of Alanna O’Kelly
From the special issue: Cultural Memory and the Remediation of Narratives of Irishness. In misc folder 7.
Os it My Body? - Selected Texts
Throughout the 1980s and early 90s, Gordon produced a series of writings on art and music. Ranging from neo-Conceptual artworks to broader forms of cultural criticism, these rare texts place her writing within the context of the artist-critics of her generation.
Feminism and Humour in Contemporary Art
Feminism and Humour in Contemporary Art exhibition catalogue. Margaret Lawrence Gallery – Victorian College of the Arts (VCA), Melbourne. 27 April to 25 May 2013
Bodily Remembrances: the performance of memory in recent works by Amanda Coogan
Provides a feminist reading of Yellow (2008) and How to explainthe sea to an uneaten potato (2008) in order to explore how her performances use corporeal strategies to engage with memory.
