Catalogue > By Keyword > gender
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One for Sorrow, Two for Mirth: The Performance Work of Rose Finn-Kelcey
Found in miscellaneous article folder #5B
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
Interview with Rose English about ‘Berlin’
Includes performance description. From Centerfold.
Found in miscellaneous article folder #5B
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
Review of ‘Mounting’
From New Dance.
Found in miscellaneous article folder #5B
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
Knifeboxing conversation
Conversation between Johann Went and Mark Wheaton to accompany thescreening of 'Knifeboxing' on LADA Screens which was online from 29 March – 11 April 2016.
In misc folder 5A.
Motherhood and Live Art
Report from the event held on Friday 29 January 2016.
This event gathered an invited group of live art and performance practitioners who are working with/around the maternal in their arts practice. All invited participants were asked to briefly introduce their ‘maternal performance practice’ and reflect on their aesthetics, including their processes and methodologies.
In misc folder 5A.
SEX TLK MTG
Publication for the Bedfellows event, Late at Tate Britain, 1st April 2016.
My Body My Territory
City of Women 2015 festival brochure. 5-15 October 2015.
In English and Slovenian.
Performance Art Faction Paper
Introduction to PAF; includes contributions by Hugh O’Donnell, Kris Grey, Fabiola Paz, Victoria Gray.
Acts of Activism: Human Rights as Radical Performance
Madison presents the neglected yet compelling and necessary story of local activists in South Saharan Africa who employ modes of performance as tactics of resistance and intervention in their day-to-day struggles for human rights.
Who is Ana Mendieta?
This biography tells the fascinating and controversial story of the artist’s life and work in graphic format, from her immigration to the US from Cuba to escape the dictatorial regime in 1961, to her groundbreaking artworks which lead to her being one of the only Cuban Americans to have works in museums around the world, to her controversial and tragic death.
