This illustrated volume documentsThe first International Festival of Women in Experimental Theatre, the Magdalena Project, took place in Cardiff in 1986. The author explores some of the theoretical issues relating to women’s theatre experimental theatre.

Documentation of Ann Liv Young’s performance Solo performed in Berlin.

In 1987 Neil Bartlett used the London International Festival of Theatre’s decision to bring Ethyl Eichelberger to the ICA as a motive to visit her in New York and then Lily Savage in London. Asking the same questions, they discuss their different approaches to drag.

This item can be found in the Miscellaneous Article Folder number 4
This item is referenced in the SPILL study boxes Study Room Guide, catalogue no. P2012

Gives detailed and original critical readings of all eleven of Derek Jarman’s feature-length films, arguing that he occupies a major and influential place in European and world cinema rather than merely being a cult figure.

Journal discussing Feminist Aesthetics. Key Articles: María Laura Rosa ‘Our bodies, our history: Mujeres Públicas’s activism in the city of Buenos Aires’ Veeranganakumari Solanki ‘Aesthetics and Identities: interview with Reena Saini Kallat’ Eileen Legaspi-Ramirez ‘Questions and Answers: interview with Lani Maestro’ Anna Bunting-Branch and Rose Garrard ”Frames of Reference’ Rose Garrard: Interview’ Ming Turner ‘Quasi-skin and post-human: Lin Pey Chwen’s Eve Clone series, Bracha L. Ettinger ‘Artists’ Pages’ Carol Archer ‘Womanly Blooms: Cai Jin’s Beauty Banana Plant Paintings’ Marta Cenini ‘Coco Fusco’s Room:Rethinking Feminism after Guantanamo’ Christine Conley ‘Making Space for Utopia, FAG and the Aesthetics of Activism: Christine Conley interviews Allyson Mitchell and Deirdre Katy Deepwell ‘Re.act Feminism: feminist, gender-critical and trans-gender performance art: Katy Deepwell interviews Bettina Knaup and Beatrice E. Stammer’ Maria Photiou ‘The Green Line: Greek Cypriot Women Artists’ Politicised Practices, Lia Lapithi and Marianna Christofides’ Women on the Verge, Duba’ Women Artists at Manifesta, Genk, Women Artists at Arsenale, Kiev Women Artists at Documenta 13, Kassel.

This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)

Trashing Performance event programme. In miscellaneous folder 3.

Collection of documentation, preparatory drawings, scripts, posters, interviews, essays, Polaroids, newspaper clippings and correspondence to provide overview of Valie Export. Works including “Tap and Touch Cinema,” “Action Pants: Genital Panic”, “BODY SIGN ACTION”.

A critical framework for understanding and interpreting the new public art that has emerged over the last two decades. Featuring twelve essays from editor Suzanne Lacy: and eleven eminent artists, curators, and critics. Chapters titled as follows: An Unfashionable Audience, Public Constructions, Connective Aesthetics: Art After Individualism, To Search for the Good and Make It Matter, From Art-mageddon to Gringostroika: A Manifesto against Censorship, Looking Around: Where We Are, Where We Could Be, Whose Monument Where? Public Art in a Many-Cultured Society, Common Work, by Jeff Kelley, Success and Failure When Art Changes, Word of Honor, Debated Territory. This item is referenced in the Dreams for an Institution Guide (P2313).

Catalogue from performance festival Present in Belfast.