Adrian Heathfield Alva Noë Andreas Spiegl Arno Böhler Brandon LaBelle Catherine de Zegher choreography Christine De Smedt Christopher Dell collaboration criticism dance devising Dieter Mersch Erin Manning Gerhard Dirmoser Helmut Ploebst Jeanette Pacher Jörg Piringer Karin Harrasser Krassimira Kruschkova laboratory lex Arteaga Lilia Mestre notation P.A. Skantze performance practice as research research Simona Koch theory Victor Jaschke Werner Moebius

Adina Bar-On Adrian Stimson Âhasiw Maskêgon-Iskwêw Alain Arias-Misson Alastair MacLennan Alice Vogler Allen Ginsberg Andrea Hackl Andrigo & Aliprandi Angel Delgado arhive Art Week Fringe Arti Grabowski artistic practice Artur Barrio Barbara Campbell Bean Benjamin Sebastian Bob Raymond body Boris Nieslony Carolee Schneemann Chris Burden Clemente Padin contemporary art criticism David Dalla Venezia documentation El Siluetazo Elias Adasme Enrique Ježik Gastão de Magalhães Gerhard Dirmoser Gerry Schum Gianni-Emilio Simonetti Gina Pane Guillermo Giampietro hybrid Inder Salim Jelili Atiku Jill McDermid Joseph Beuys Juan Loyola Julie Vulcan La Pocha Nostra Legend Lin Dance Theatre Letícia Parente live art Marilyn Arsem Martin Renteria Melissa García Aguirre Norbert Klassen Norma Flores Olivier de Sagazan Paul Wong Paulo Bruscky Pedro Reyes performance art poiesis Regina José Galindo research Richard Ashrowan Rong Rong Rosemberg Sandoval S. J. Norman Sandra Johnston Shannon Cochrane Sigalit Landau Tania Bruguera Tehching Hsieh Terry Fox Terry Smith theory Ulay Vela Phelan VestAndPage Vito Acconci Waldemar Januszczak Waldo Bien Wen Yau Zai Kuning Zhang Huan