Catalogue > By Keyword > Guillermo Gómez-Peña
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Festival Panorama 2011
Festival Programme for the 20th edition. Two performance programmes in folder.
Temple of Confessions – Mexican Beasts and Living Santos
Audio CD accompanying the publication Temple of Confessions (see REF. P2002), a confessional mail-in post-card, and a temporary tattoo.
Part of the Library of Performing Rights (LPR) (P3041).
American Visions/Visiones de las Americas – Artistic and Cultural Identity in the Western Hemisphere
Papers from Artistic and cultural identity in Latin America, a conference convened by Arts International in collaboration with Memorial da América Latina, Sept. 23-25, 1991. In both English and Spanish.
Mapping the Terrain: New Genre Public Art
A critical framework for understanding and interpreting the new public art that has emerged over the last two decades. Featuring twelve essays from editor Suzanne Lacy: and eleven eminent artists, curators, and critics. Chapters titled as follows: An Unfashionable Audience, Public Constructions, Connective Aesthetics: Art After Individualism, To Search for the Good and Make It Matter, From Art-mageddon to Gringostroika: A Manifesto against Censorship, Looking Around: Where We Are, Where We Could Be, Whose Monument Where? Public Art in a Many-Cultured Society, Common Work, by Jeff Kelley, Success and Failure When Art Changes, Word of Honor, Debated Territory. This item is referenced in the Dreams for an Institution Guide (P2313).
International 2002
Charts the journey of the 2002 Liverpool Biennial.
Video Excerpts – DVD #2
DVD including excerpts from four performances: 14 UnNatural Acts; Mapa Corpo, Temple of Confessions, El Naftazteca: Cyber Aztec TV for 2000 A.D. Includes document with descriptions.
Videos from 2004 and 1996.
Live Art in LA: Performance in Southern California, 1970 - 1983
Documents and critically examines one of the most fecund periods in the history of live art.
Perform, Repeat, Record: Live Art in History
Bringing together contributors from dance, theatre, visual studies, and art history, the publication addresses the conundrum of how Live Art is positioned within history.
Conversations Across Borders
A performance artist converses theorists, curators, activists and fellow artists.
Sacred at Chelsea Theatre: Bodily Functions - The Body in Performance
Sacred at Chelsea Theatre: Bodily Functions – The Body in Performance, selected highlights of documentation of the body in performance from the Live Art Development Agency Study Room and Documentation Bank. This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)