Catalogue > By Keyword > Guillermo Gómez-Peña
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Virtual Theatres
Live Culture, documentation of the performance programme
Ethno-techno: Los Video Graffitis
Captures the zeitgeist of a ravenous and distorted world, illustrating its inequalities with a straightforward rawness and elegance.
This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Liverpool Biennial - International 2002
Let’s Get It On: The politics of black performance
Essays, artworks on cultural diversity and performance, UK and USA. This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Live Culture documentation
Short film of performances at Live Culture.
The Citizen Artist: 20 Years of Art in the Public Arena
An anthology from High Performance Magazine 1978 – 1998.
Extreme Exposure: An Anthology of Solo Performance Texts from the Twentieth Century
Features the work of 42 solo artists spanning the century-from Beatrice Herford in 1869 to Dawn Akemi Saito in 1994. Each artists’ work is introduced by a journalist, artist, critic, agent, producer or educator who is intimately familiar with the material and its links to other forms such as vaudeville, theatre, cabaret, music, standup comedy, poetry, the visual arts and dance.
Live: Art and Performance
Leading artists and thinkers assess the relevance of live art now, its impact within the visual arts and the broader cultural sphere.
This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195) and the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
Study Room Guide / LADA Anthology: Ouch, on audiences and pain
Small selection of work concerning Audiences and Pain: audiences inflicting or being complicit in artists’ pain, audiences bearing witness to painful or unbearable actions and ideas, or audiences being subjected to pain and discomfort themselves.
LADA Anthology: Ouch, on audiences and pain
