Catalogue > By Keyword > Helena Walsh
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Future Histories
Documentation of the 12 hour group performance in Kilmainham Gaol, Dublin in May 2016. Part of LADA Screens.
Part of the Library of Performing Rights (P3041).
Future Histories
Programme for a 12-hour live art and video event at Kilmainham Gaol, responding to the iconic historical associations with the 1916 Rising. Curated by Niamh Murphy and Áine Phillips.
Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal
The Guide features fourteen individual artists and two artist collectives working in the mediums of Live Art and performance around the topic of the maternal, who have all set out to make performance and/or Live Art work about their particular maternal experience.
Motherhood and Live Art
Report from the event held on Friday 29 January 2016.
This event gathered an invited group of live art and performance practitioners who are working with/around the maternal in their arts practice. All invited participants were asked to briefly introduce their ‘maternal performance practice’ and reflect on their aesthetics, including their processes and methodologies.
In misc folder 5A.
Performance Art in Ireland: A History
Publication devoted to the history and contemporary forms of Irish performance art in the north and south of Ireland.
Critical Live Art
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
Contemporary Theatre Review: Live Art in the UK
Labour: A Live Exhibition, Performances by Irish Female Artists
Performance Space, London 9/2/12, The Void, Derry, 25/2/12, The LAB, Dublin, 10/2/12.
Containing Crisis
A site-responsive durational performance interrogating the continual haunting power of the Famine in relation to the Republic of Ireland’s recent economic collapse.
Rub Me Up The Wrong Way
A micro-festival of performance art.