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Collaborative Theatre: The Theatre du Soleil Sourcebook

Editor: David Williams | Reference: P3312 | ISBN: 978-0415086066 | Type: Publication

The first in-depth sourcebook in English on the compant, providing first-hand accounts of the development of its collectivist practices and ideals.

Part of the Library of Performing Rights (LPR) (P3041).

The Journal of Aesthetics and Protest Issue 4

Editor: Mark Herbst, Robby Herbst, Cara Baldwin, Ryan Griffith, Christina Ulke | Reference: P3282 | Type: Publication

Volume 1, Issue 4.

Part of the Library of Performing Rights (LPR) (P3041).

 

The Art of Truth-telling About Authoritarian Rule

Editor: Ksenija Bilbija, Jo Ellen Fair, Cynthia E. Milton, Leigh A. Payne | Reference: P3279 | ISBN: 978-0299209049 | Type: Publication

The illustrated volume examines the creation of stories, accounts, images, songs, street theatre, paintings, and ideas that pay witness to authoritarian pasts.

Part of the Library of Performing Rights (LPR) (P3041).

Life and Death on the New York Dance Floor, 1980-1983

Artist/Author: Tim Lawrence | Reference: P3252 | ISBN: 978-0822362029 | Type: Publication

Interviewing DJs, party hosts, producers, musicians, artists, and dancers, Lawrence illustrates how the relatively discrete post-disco, post-punk, and hip hop scenes became marked by their level of plurality, interaction, and convergence. He also explains how the shifting urban landscape of New York supported the cultural renaissance before gentrification.

March

Editor: Marissa Keating | Reference: D2245 | Type: DVD

Documents the large scale, public art event March of Women spilling out onto the streets of Bridgeton on the eve of International Women’s Day 2015.

Art AIDS America

Editor: Jonathan David Katz, Rock Hushka | Reference: P3220 | ISBN: 978-0295994949 | Type: Publication

The first comprehensive overview and reconsideration of 30 years of art made in response to the AIDS epidemic in the United States. This book foregrounds the role of HIV/AIDS in shifting the development of American art away from the cool conceptual foundations of postmodernism and toward a new, more insistently political and autobiographical voice.

Published on the occasion of the exhibition at the Tacoma Art Museum (October 2015 – January 2016)

Glasgow’s Review of International Performance

Editor: Take Me Somewhere | Reference: P3206 | Type: Publication

Reflects, through a celebratory and playful lens, on the seminal moments of contemporary international performance that have visited the city from the late 1980s until 2016, a  year from when the Arches closed.

Staging an Exilic Autobiography: On the pleasures and frustrations of repetitions and returns

Artist/Author: Natasha Davis and Yana Meerzon | Reference: A0718 | Type: Article

Expanding on the ideas of double wound (Caruth) and nostalgia (Aciman), this article discusses Davis' poetic autobiographic performances as examples of the terror and relief of repeating exilic pain.

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