Explosion! Painting as Action encompasses an array of approaches to looking at the borderland between painting and performance, covering a whole range of playful experiments to aggressive risk-taking. Published on the occasion of the exhibition of the same name at Moderna Museet, Stockholm, in 2012.

E:vent was established by Colm Lally as an artist-run project space in 2003. The programme, which ran from 2003 to 2011, included 120 events (performances, exhibitions, talks and screenings), with contributions from over 400 artists, curators, thinkers, talkers and provocateurs of various kinds. This publication is dedicated to the vibrant and generous community of people involved in producing this rich body of work.

He could be considered a latter-day English Dadaist, but Bruce Lacey's place in 20th-Century British Art is still uncharted and ill-attended to. He goes missing in critical accounts of mid- and late-century art and this short monograph is an attempt to remedy the omission by analysing his work in relation to the shifting cultural contexts of the period.

n.paradoxa's 12 Step Guide to Feminist Art, Art History and Criticism invites readers to ask themselves difficult questions about the visibility of women artists, stereotypes of women artists in canons of art history, and to think about different theoretical approaches to a feminist art history of women artists. It offers further reading on a number of issues including: images of women; women as cultural producers; the politics of feminist art; and distinguishing between art in/of the feminine and feminist art.

This Article can be found in, Miscellaneous articles folder 5A

Feminist Futures? sets out to ask if and in what way feminism remains relevant to theatre and performance practice of the twenty-first century. Responding to this question is an excellent, cross-generational mix of theatre scholars and practitioners whose essays engage in lively, cutting edge critical debates on issues such as citizenship, autobiography, cultural heritage, political agency, and body/technology, as circulating in contemporary feminism and performance today.

This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)

A retelling the history of art practice and exposing the ways in which neoliberal norms and values have seeped into every aspect of our lives.

First English language publication dedicated to Raimund Hoghe, operating as a collage,drawing together a variety of international voices to create a fragmented portrait of the artist

This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)