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The Art of Memory
Third text in anthology.
Let’s Twist Again: Performance in Vienna from 1960 until today
In German and English
Outlaw Representation: Censorship and Homosexuality in Twentieth-Century American Art
Charts the history of this American culture war through detailed analysis of the work of artists who fought on the front lines, often finding themselves personally vilified.
Whose Heritage? The Impact of Cultural Diversity on Britain’s Living Heritage
No Room to Move: Radical Art and the Regenerate City
As the Creative City model for urban regeneration founders on the rocks of the recession, and the New Labour public art commissioning frenzy it triggered recedes, the authors take stock of an era of highly instrumentalised public art making.
The Routledge Reader in Gender and Performance
Reviews ways in which sexuality has been explored and expressed in new forms of performance art and dance, women’s contributions to theatre history, and how theatre has represented women over the centuries.
Part of the Library of Performing Rights (LPR) (P3041).
On Listening
Accompanying CD for Performance Research: On Listening Vol. 15 No. 3.Linked articled A0336, A0335, A0334. Includes Listening-as-Touch: Paying attention to Rosemary Lee’s Common Dance, To See versus To Believe: A conversation on listening and The Horizon of Sound: Soliciting the Earwitness
Professing Performance: Theatre in the Academy from Philology to Performativity
Considers the connection amongst a range of performance forms such as oratory, theatre, dance, and performance art and explores performance as both a humanistic and technical field of education. This item is referenced in the Dreams for an Institution Guide (P2313).
Who is Fergus Kilpatrick / As You Are Now So Once Were We
Two Dublin Fringe shows by the Irish theatre company.