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I Am 1984
Shodokan
A film about Art, Aikido and Sheffield
File Note #54: Mel Brimfield
Published to accompany This Is Performance Art: Performed Sculpture and Dance, 8th April 2010 – 06 June 2010, Camden Arts Centre, co-commissioned by the Yorkshire Sculpture Park Also see D1485 and P1518.
This Is Performance Art: Performed Sculpture and Dance
Also see P1517 and P1518.
This Is Performance Art: Performed Sculpture and Dance 8th April 2010 – 06 June 2010 Camden Arts Centre
Performing Idea: Approximating the Art of Stuart Sherman
This performance is centred around a series of re-enacted performances based on the works of the late American artist Stuart Sherman (1945 – 2001), a seminal though underexposed figure in the history of performance art.
Performing Idea: Living Archives
Performance Matters, Performing Idea – Living Archives6th OctoberLiving Archives 3:00-7:30pmToynbee StudiosWith: Anne Bean, Rose English, Hannah Hurtzig, Janez Jan a and Heike Roms Gripped by a kind of ‘archive fever', contemporary art and culture is driven by the desire to document, store and preserve. The archive is now a vast global edifice, crossing cultures and forms and reaching further and further into the past. Fleeting exchanges and moments are everywhere evidenced in contemporary art's multiple but unstable papers, artefacts and traces. But what happens to the life of art in its archival forms? What is the archive doing with performance, performers with the archive? Speakers will address the relation between artists and the archival drive, the artist's experiences and body as a kind of living archive.
This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)
Performing Idea: Living Archives
Performance Matters, Performing Idea – Living Archives6th OctoberLiving Archives 3:00-7:30pmToynbee StudiosWith: Anne Bean, Rose English, Hannah Hurtzig, Janez Jan a and Heike Roms Gripped by a kind of ‘archive fever’, contemporary art and culture is driven by the desire to document, store and preserve. The archive is now a vast global edifice, crossing cultures and forms and reaching further and further into the past. Fleeting exchanges and moments are everywhere evidenced in contemporary art’s multiple but unstable papers, artefacts and traces. But what happens to the life of art in its archival forms? What is the archive doing with performance, performers with the archive? Speakers will address the relation between artists and the archival drive, the artist’s experiences and body as a kind of living archive.
On Edge: Performance at the End of the Twentieth Century
Brings together Carr’s writings to offer a detailed and insightful history of performance from the late 70s to today.
This item is part of the Study Room Guide On Disability and New Artistic Models by Aaron Williamson (P1529)
The Renaming Machine: The Book
Featuring Suzana Milevska, Ivana Bago, Antonia Majaca, Ivana Bago, Antonia Majaca, Magnus Bärtås Zdenko Bu ek Liljana Gjuzelova Igor Grubi Dejan Habicht/Tanja La eti Kalle Hamm Albert Heta Sasha Huber IRWIN Hristina Ivanoska Sanja Ivekovi Suzana Milevska MONUMENT Group Oliver Musovi Tanja Ostoji /David Rych Dan Perjovschi Lia Perjovschi Tadej Poga ar Georg Schöllhammer Dejan Spasovi Sa o Stanojkovi Mladen Stilinovi , Alexander Vaindorf, Aneta Vangeli
