Catalogue > By Keyword > Holly Hughes
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Franklin Furnace: Performance and Politics
A collection of archival materials in the Hemispheric Institute Digital Video Library that represents the historical, cultural, and political legacy of Franklin Furnace Archive, Inc.
Franklin Furnace: Performance and Politics
A collection of archival materials in the Hemispheric Institute Digital Video Library that represents the historical, cultural, and political legacy of Franklin Furnace Archive, Inc.
Acting Out: Feminist Performances
The first book-length introduction to and critical analysis of contemporary feminist performance, from Madonna to Karen Finley to Cherrie Moraga.
Part of the Library of Performing Rights (LPR) (P3041).
Animal Acts: Performing Species Today
Collects some of the most exciting, provocative, and moving solo performances on animals, grounded by commentaries that help put these engaging works in a larger context.
Performing Animality: Animals in Performance Practice
Theoretical and creative interventions into the presence of the animal and ideas of animality in performance.
Study Room Guide / LADA Anthology: I Wasn’t There
Out From Under: Texts by Women Performance Artists
A collection of texts by several seminal women performance artists. Holly Hughes – 'World Without End'; Beatrice Roth – 'The Father'; Laurie Anderson – from 'United States'; Karen Finley – 'The Constant State of Desire'; Rachel Rosenthal – 'My Brazil'; Laurie Carlos, Jessica Hagedorn, Robbie McCauley – 'Teenytown'; Leeny Sack – 'The Survivor and the Translator'; Lenora Champagne – 'Getting Over Tom'; Fiona Templeton – 'Strange to Relate'.
O Solo Homo: The New Queer Performance
Performance texts and documentation from queer solo performances.
Split Britches DVD Library: Vol. 5. Dress Suits to Hire
Choreography by Stormy Brandenburger, Costumes by Susan Young, sets and lighting by Joni Wong. Originally produced for the Velseka Festival, PS122, 1987
Outlaw Representation: Censorship and Homosexuality in Twentieth-Century American Art
Charts the history of this American culture war through detailed analysis of the work of artists who fought on the front lines, often finding themselves personally vilified.