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4 Radnor Terrace: A Woman’s Place
Publication accompanying the exhibition 56 Artillery Lane, Raven Row, 21 April-11 June 2017.
Queer Performance and Contemporary Ireland: Dissent and Disorientation
Examines the surge of queer performance produced across Ireland since the first stirrings of the Celtic Tiger in the mid-1990s, up to the passing of the Marriage Equality referendum in the Republic in 2015.
I Love My Baby and My Baby Loves Me
This video for camera was made at home with the artist's one year old son: he is invited, or given reason, to interact with household, domestic, materials – in isolation and removed from some context.
12 minutes.
Part of Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal (P3025).
An Audience With Adrienne
Drawing on the popular entertainment form 'An Audience with …', Howells creates a performance in which an audience of around 25 is invited to share memories and experiences with his alter ego.
Blurred recording. 2006.
2 hours 36 minutes.
Extraterritorialities in Occupied Worlds
*currently unavailable*
This collection of essays explores contemporary manifestations of extraterritoriality and the diverse ways in which the concept has been put to use in various disciplines.
An Audience With Adrienne
This DVD is currently missing. The digital file can be viewed in the Study Room. The reference is EF5192.
Drawing on the popular entertainment form 'An Audience with …', Howells creates a performance in which an audience of around 25 is invited to share memories and experiences with his alter ego.
Blurred recording. 2006.
2 hours 36 minutes.
The Only Way Home Is Through the Show: Performance Work of Lois Weaver
The book explores Weaver’s collaborative work with Split Britches and Spiderwoman as well as her solo projects, performance interventions, and work as a facilitator, teacher, and as Tammy WhyNot.
Jamie McMurry’s Shit Parade
Writing and documentation from a performance in London March 2015 with photos by Manuel Vason. Miscellaneous folder #5A
Five Book
Documentation of the first five years (2008 – 2012) of The Institute for the Art and Practice of Dissent at Home.