Catalogue > By Keyword > Hotel Pro Forma
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The Twenty-First Century Performance Reader
Editor: Teresa Brayshaw, Anna Fenemore, and Noel Witts | Reference: P4028 | ISBN: 978-1138785342 | Type: Publication
Combines extracts from over 70 international practitioners, companies, collectives and makers from the fields of dance, theatre, music, live and performance art, and activism to form a sourcebook for students, researchers and practitioners.
Aaron Williamson
Action Hero
activism
Agata Siniarska
amateur
Andriy Zholdak
Andy Smith
artists
audience
Augusto Corrieri
autobiography
Back To Back Theatre
Blast Theory
body
Brett Bailey
capital
Chris Goode
cinema
Clod Ensemble
Constantin Chiriac
criticism
Dah Theatre
Dalia Basiouny
David Chisholm
Deepan Sivaraman
Derevo
devised theatre
diary
disability
documentary theatre
Dood Paard
Dries Verhoeven
economy
Eleanor Bishop
Eleonora Fabião
Every House Has A Door
Farah Saleh
Gecko
gentrification
Getinthebackofthevan
Gibson/martelli
Gob Squad
Heiner Goebbels
Hiwa K
Hotel Pro Forma
Imitating The Dog
immersive
intervention
Jérôme Bel
Junnosuke Tada
Kira O'Reilly
La Fura dels Baus
lecture performance
Liu Chengrui
London
Lone Twin
María José Contreras Lorenzini
memory
Michael Pinchbeck
Mike Pearson
Mohammad Aghebati
Monster Truck
Needcompany
New Art Club
Oblivia
Oliver Frljić
Ontroerend Goed
Padmini Chettur
participation
Patricia Ariza
performance
Peter Sellars
politics
protest
public space
Punchdrunk
Quarantine
Reckless Sleepers
Ridiculusmus
Rimini Protokoll
Sankar Venkateswaran
Serbia
Shirotama Hitsujiya
Shunt
Silvia Mercuriali
Silviu Purcărete
site specific
Sleepwalk Collective
Socìetas Raffaello Sanzio
space
stage
Tammy Brennan
Tania Bruguera
Tess De Quincey
The Builders Association
theatre
theory
Third Angel
Tim Crouch
Toshiki Okada
Ultima Vez
Unlimited
Vincent Dance Theatre
Wendy Houstoun
Xing Xin
Performing Archives/Archives of Performance
Editor: Gundhild Borggreen, Rune Gade | Reference: P3619 | ISBN: 978-8763537506 | Type: Publication
Contributes to the ongoing critical discussions of performance and its disappearance, of the ephemeral and its reproduction, of archives and mediatised recordings of liveness.
Amelia Jones
Annelis Kuhlmann
art market
Barnaby King
Bodil Marie Stavning Thomsen
body
Catherine Bagnall
criticism
dance
digital
Emma Willis
ephemerality
gender
Gunhild Borggreen
Heike Roms
history
Hotel Pro Forma
installation
Julie Louise Bacon
Khmer Rouge
Laura Luise Schultz
Lindsay Seers
live art
Louise Wolthers
Malene Vest Hansen
Marco Pustianaz
Margherita Sprio
Marianne Jorgensen
Martha Wilson
Mathias Danbolt
memory
Mette Sandbye
Morten Søndergaard
Paul Clarke
Pauline Boudry
performance
permanence
Peter van der Meijden
political event
politics
queer
Rachel Fensham
Renate Lorenz
Rimini Protokoll
Rivka Syd Eisner
Rune Gade
Sarah Whatley
sexuality
Solveig Gade
surveillance
The Atlas Group
theory
Tracy C. Davis
violence
Yoshiko Shimada
European Performance and Theatre Towards the Year 2000
Reference: P3513 | Type: Publication
Programme booklet.
