academia accumulation Alan Read Andre Lepecki Andy Field Artaud audience autobiography Baz Kershaw Bonnie Marranca Brian Eugenio Herrera catastrophe Cherríe Moraga cinema Claudia La Rocco dialogue dramaturgy duration Emily Johnson endurance everyday failure Fintan Walsh Helen Paris Howard Barker immersive Jen Harvie Jennifer Parker-Starbuck Joe Kelleher John H Muse Joshua Abrams Ju Yon Kim Julia Jarcho liveness Matthew Goulish Nature Theater of Oklahoma Nicholas Ridout Peggy Phelan Petra Kuppers race Rajni Shah rehearsal Richard Schechner Romeo Castellucci technology theatre theatre space Tim Etchells walking writing

Adrian Howells audience audio performance autobiography avant-garde Baudrillard Forced Entertainment Howard Barker Jacques Lacan Liz Tomlin Ontroerend Goed performance performance art performance theory politics post-structuralism postdramatic postdramatic theatre postmodernism real reality Roland Schimmelpfennig Situationists spectator the real theatre theory Tim Etchells Uninvited Guests Wooster Group

Alan Sinfield Alfred Jarry Andre Breton Anton Chekhov Antonin Artaud Arthur Symons August Strindberg avant-garde Bertolt Brecht Caryl Churchill Christopher St. John Cicely Hamilton criticism Emile Zola Enrico Prampolini Ernst Toller Eugenio Barba Ewan McColl Federico García Lorca Filippo Tommaso Marinetti Forced Entertainment Guillaume Apollinaire Guillermo Gómez-Peña Hallie Flanagan Hans-Thies Lehmann Helen Gilbert Henrik Ibsen history Howard Barker ideology James Baldwin Jean Baudrillard Joanne Tompkins John McGrath László Moholy-Nagy Laurie Anderson Marie Bressard Marie Irene Fornés Mark Ravenhill Maurice Maeterlinck naturalism Nicholas Zurbrugg Oskar Kokoshka Pierre Quillard politics Raoul Hausmann Robert Lepage Roland Barthes Ronald Gow Sheila Stowell SuAndi Susan Carlson Terry Eagleton text theatre theory Tim Etchells Umberto Boccioni Walter Benjamin Walter Greenwood