Catalogue > By Keyword > Humor
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Organ Player
One of the contemporary art world’s most acclaimed mixed-media & performance artists, is the subject of this smart, sassy documentary that showcases her spectacle-rich approach to explorations of gender, racial identity, and sexuality. Bonus features include two deleted scenes.
Nothing Up My Sleeve: An Exhibition Based on the Work of Stuart Sherman
The book is an extension of the exhibition, composed of entries from each performer/artist celebrating the work of Stuart Sherman.
RE/Search: Pranks!
Artists pranksters such as Timothy Leary, Abbie Hoffman, Monte Cazazza, Jello Biafra, Earth First!, Joe Coleman, Karen Finley, John Waters and Henry Rollins challenge the sovereign authority of words, images and behavioral convention.
Writing Art
Aaron Williamson explores the act of writing as art as well as text, Marina Abramovic, Brian Catling, performance economy, documentation, performative texts.
Quick Clips and Short Cuts: Selected solo films and performance documentation 2000-2010
Aaron Williamson, Quick Clips and Short Cuts: Selected solo films and performance documentation 2000-2010, Disability, Disabled Avant Garde, Deafness, Politics
A Study Room Guide: Disability and New Artistic Models
Reflects the ways in which the practices of artists who work with Live Art have engaged with, represented, and problematised issues of disability in innovative and radical ways, and the ways in which Live Art has been, and continues to be, a potent platform for artists to explore notions of physicality, identity and representation.
A Holy Throat Symposium
MUST
For accompanying publication see ref. P1441
MUST
For video documentation see ref. P1333
Uprising - Evidence
Series of postcards as part of the UPRISING project and its accompanying documentation, EVIDENCE. From January 2008 to December 2008, Nicole Garneau embarked on twelve monthly performances broadly exploring the practice of revolution – UPRISING,. Performances were directed by Nicole Garneau and co-created by Nicole and performers. Events had the purpose of being live, public, temporal, and participatory stagings of possibilities for a humane world, and were marked by a commitment to flexible structure and sense of humor.Site specific, activism.