Contribution by Jamila Johnson Small for FANON Now – on the legacy of Mirage: Enigmas Of Race, Difference & Desire. The event brought together David A Bailey, artists from the original Mirage project, and artists from subsequent generations, to reflect on the contemporary moment in relation to structural violence, de-colonising culture and relations, and the power of aesthetics and its explorations of complex formations of racial identities.

Contribution by Alexandrina Hemsley for FANON Now – on the legacy of Mirage: Enigmas Of Race, Difference & Desire. The event brought together David A Bailey, artists from the original Mirage project, and artists from subsequent generations, to reflect on the contemporary moment in relation to structural violence, de-colonising culture and relations, and the power of aesthetics and its explorations of complex formations of racial identities.

Recording of an event dedicated to Manuel Vason’s publication Double Exposures, a collaboration with 40 of the most visually arresting artists working in performance in the UK. With Manuel Vason, Hugo Glendinning, Lois Keidan, Alastair MacLennan, Aine Phillips, Marisa Carnesky and the Famous Lauren Barri Holstein. 

Part of “Negación y Utopía” (“Nagation and Utopia”), the first National Festival of Performance of Mexico, 6-29 November 2013, a platform showcasing work on Mexican identity and multicultural hybrids. This documentation includes recordings of the performance, exerpts, and interviews with the artist. Spanish language.

Part of “Negación y Utopía” (“Nagation and Utopia”), the first National Festival of Performance of Mexico, 6-29 November 2013, a platform showcasing work on Mexican identity and multicultural hybrids. This documentation includes recordings of the performance, exerpts, and interviews with the artist. Spanish language.

This book investigates the daily social drama that positions people with disabilities as figures of tragedy, stigma or pity, and the aesthetics, politics and ethics of performance practices that intervene very directly in this drama.

Documentation of projects investigating environments for societal production of civic understanding through a series of durational performances that encouraged discursive public encounters in civic squares and related urban environments.

A collection of texts supporting the centra question of this performance project: “What would have happened in 1963 if someone from the voguing ballroom scene in Harlem had come downtown to perform alongside the early postmoderns at Judson Church?”.

This exhibition catalogue takes in a large part of the artist's image making practice from 2001-2013. An identifiable persona, The Irishman, was created as a device to explore exilic experience.

The catalogue for an exhibition at Kasa Galeri, October 31 – December 5 2014, curated by Marquard Smith and exploring, with a peculiar British sense of humor, how art can face up to the social and cultural challenges.