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Identity, Performance and Technology: Practices of Empowerment, Embodiment and Technicity
*currently unavailable*
Investigates the implications of technology on identity in embodied performance.
Reactor 2006-2011
Documents the group’s work across this six-year period. In addition to many video edits that have not been seen before, each video has an alternative audio track featuring interviews by Mel Jordan, Ilana Mitchell, Daniel Oliver, Stuart Tait, Sally O’Reilly and John McGrath. In these interviews members of Reactor (past and present) discuss each project, or aspects of the groups practice that impacted on a project in a particular way.
Reactor 2006-2011
The Trivia of Eccentric England
To the Man in My Dreams
The project is the result of a letter-writing game developed during workshops led by artist George Chakravarthi with members of SW5, London’s advice and information service for male and transgender sex workers. The letter-writing process emerged as a form of imaginative role-play where identities can be swapped and recreated. The folder contains a handwritten letter, an envelop and an explenatory sheet.
3 Solos Em 1 Tempo – 3 Solos in One Time
Video document of performance. With movements both hers and of other choreographers, Denise Stutz guides the audience through a personal and emotional history of Brazilian contemporary dance. The memory of the body and its relationship to identity – as well as how this is inscribed in space and relates to the public – motivate and shape this solo.
Uma Vida Em Dança – Movimentos e Percursos
Video document of a journey of recollection through embdied and spoken narratives drawn from a number of reference works by the artist.
Prodigal Son – Traces of a Disciple Astray; God Made Me a Boy
Miscellaneous text and images documenting a series of works and self portraits by the artist. In large folder.
The Book of Blood
Leibniz, together with a host of guest artists, presents The Book of Blood, an ongoing performance and multi-performative experience that explores issues relating human rights and (dis)enfranchisement whilst aiming to facilitate the spectator’s active contribution in participation. Each visitor is invited to donate a drop of blood to be used as ink in the writing of the Universal Declaration of Human Rights into a thick, leather-bound book. This video and photographs are taken from PSI 12, Queen Mary, 2006. Includes a performance leaflet/document.
Ernst Fischer – Images
Series of photographs documenting some of the works of German-born, London-based performance artist Ernst Fischer: Brixton Heart Room (in collaboration with Franko B); The Book of Dust (in collaboration with Manuel Vason); The Art of (Self-)Service; Remains of the Day. Includes a list of images with titles.