Catalogue > By Keyword > immigration
56 results | Page 2 of 6
Her Eyes Under the Bridge documentation
Documentation from the DIY 14 project, exploring how personal documents and performance can animate each other within a specific context of travelling and migration.
Going Home
Documentation (Power Point) from the DIY 12 project, a developmental exercise exploring the concept of returning to what one understands as “home”
¿hablamos del mismo mundo o vivimos en mundos diferentes?
A performance based on interviews with migrants to Austria.
Ich war ja noch nie vorher im Ausland, ich wusste uberhaupt nicht, was Asyl ist
Artist book. Text in German.
Part of the Library of Performing Rights (LPR) (P3041).
The Knotty Ethics of Using Family Material in History History History
On negotiating consent and ethics in autobiographical performance. With contributions from Mary Pearson.
Ansuman Biswas: The Kindness of Strangers
On Present, a 5 day performance at the Stanley Picker Gallery. Oversized item.
“Caoineadh na mairbh”: Vocalising Memory and Otherness in the Early Performances of Alanna O’Kelly
From the special issue: Cultural Memory and the Remediation of Narratives of Irishness. In misc folder 7.
What We Made: Conversations on Art and Social Cooperation
Examines the activist, participatory, coauthored aesthetic experiences being created in contemporary art. In a series of fifteen conversations, artists comment on their experiences working cooperatively, joined at times by colleagues from related fields, including social policy, architecture, art history, urban planning, and new media.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Integration Impossible?: The Politics of Migration in the Artwork of Tanja Ostojic
Artist book published as a follow up to the eponymous exhibition; the book presents around 20 art projects realised between 2000 and 2008.
Kunstpavilion Innsbruck, 19 September – 8 November 2008.
Part of the Study Room Guide on Live Art and Displacement (P3107).
British Black Art: Debates on the Western Art History
The book suggests new narratives about canonical artworks of the British Black Art movement, such as Lubaina Himid’s Freedom and Change, Eddie Chambers’ Destruction of the National Front and Sonia Boyce’s Lay Back Keep Quiet and Think of What Made Britain So Great, interrogating their critical agency from an art-historical perspective.
