Catalogue > By Keyword > installation
498 results | Page 23 of 50
Do You Remember It - Or Weren’t You There?
Do you remember it – or weren’t you there? was an exhibition of work by artists and writers whose starting point was live performance. It was curated by Philip Lee and Cally Trench and presented at the London Gallery West, University of Westminster in 2013.
Null Object: Gustav Metzger thinks about nothing
The Days of the Child Prodigy are Over
The Days of the Child Prodigy are Over is a project that began in 2011. It started with a dialogue between Rakel McMahon and Bergpora Snaebjornsdottir, a.k.a Wunderkind Collective, where one used drawings and the other texts to communicate. The aim being to explore the idea of the genius from the point of view of individual experience and its implicit absurdity – the conflict that arises when a person tries to search for meaning in a universe he or she can never understand the inherent meaning of.
18th International Festival of Contemporary Arts - City of Women: Aging
Bilingual festival catalogue/pamphlet featuring performances, installations, films, workshops and discussions from the 18th International City of Women festival (on ageing), Slovenia.
Natasha Davis: Performance Film Installation
Performance Film Installation is a new publication designed to mark five years of solo and collaborative performances, films and installations by Natasha Davis, and coinciding with the London premiere of Internal Terrains at Chelsea Theatre as part of Sacred. A diverse range of authors and artists have generously responded to an invitation to provide insights into various aspects of Natasha's practice.
Kunst und Klima / Art and Climate
Catalogue published on the occasion of the exhibitions: High Temperature. Art and Climate, and Weather Report. Art and Climate Change, 2012-2013.
The Bruce Lacey Experience: Paintings, Sculptures, Installations and Performances
He could be considered a latter-day English Dadaist, but Bruce Lacey's place in 20th-Century British Art is still uncharted and ill-attended to. He goes missing in critical accounts of mid- and late-century art and this short monograph is an attempt to remedy the omission by analysing his work in relation to the shifting cultural contexts of the period.
A Bigger Splash: Painting after Performance
A Bigger Splash: Painting After Performance takes a new look at the dynamic relationship between performance and painting from 1950 to the present day. Published on the occasion of the exhibition of the same title at the Tate Modern, 14 November 2012 – 1 April 2013.
Artificial Hells: Participatory Art and the Politics of Spectatorship
The first historical and theoretical overview of socially engaged participatory art, known in the US as ‘social practice’. Follows the trajectory of twentieth-century art and examines key moments in the development of a participatory aesthetic.
Gustav Metzger, Decades: 1959-2009
Catalogue published on the occasion of the exhibition of the same name at the Serpentine Gallery, London, 29 September – 8 November 2009.
