Documentation of the performances and presentations at Accion / Action MAD 09 festival in Spain. Participants: Eva Pérez (Valencia), Ryszard Piegza (Polonia), Antonio Gómez (España), nna Kalwajtys (Polonia), Isabel León (Cáceres), Angela García (Valencia), Guy Sioui Durand (Canadá), Carlos Felices (Madrid), J.M. Calleja (Mataró), Catie de Balmann (Francia) María Marticorena (A Coruña) John G. Boheme (Canadá), Esther Ferrer (España), Monika GUnther y Ruedi Schill (Suiza) AC La Muga Caula (Girona) Kai Lam (Singapur), Fernando Baena (Madrid) Kurt Johannessen (Noruega), Nezaket Ekici (Alemania) Denys Blacer (Reino Unido)

Documentation of various performance works dating from 2001 – 2009

Documentation of the performances and presentations at Accion / Action MAD 08 festival in Spain. Participants: jacques van Poppel (Paises Bajos), Iris Nava (Mexico/Madrid), Helge Meyer (Alemania), Veltet & Crochet (Madrid), Eugenie Kuffler (Francia/USA), Carlos Llavata (Valencia), Nieves Correa (Madrid), Ben Patterson (Alemania/USA), Denys Blacker (Reino Unido/España), Pere Noguera (Girona), Angie Dight (Escocia), Pancho López (México), Mary Brennan (Escocia), Joan Casellas (Barcelona), Paco Nogales (Madrid), Analía Beltrán (Madrid), Belén Cueto (Madrid), Nikki Milican (Escocia)

Audio CD entitled Game and Subtlety: a Performance series in Mexico. Language: Spanish

Performance Research Journal edition concerning the foot. Articles featured: CARL LAVERY & NICOLAS WHYBROW Editorial ‘Pas de deux’ MARTIN WELTON Getting Things Off the Ground: Pedestrain Feelings ALEXANDER KELLY [artist’s pages] The Distance Between Us ADRIAN KEAR Thinking Limping: Richard Maxwell’s ‘Neutral Hero’ and the tragic impediment of contemporary theatre ESTHER PILKINGTON & MARTIN NACHBAR We Always Arrive in the Theatre on Foot: A walk to the theatre in sixteen steps and eighteen footnotes JOHN HALL Foot, Mouth and Ear: Some thoughts on prosody and performance MATTHEW GOULISH & LIN HIXSON On Foot Commonplace Book JASON GROVES Before the Law of Human Motor Functions: Walter Benjamin’s poetics of the step KIFF BAMFORD Acconci’s Pied-a-terre: Taking the archive for a walk STEPHEN HODGE ‘Before I compose a piece, I walk around it several times, accompanied by myself’ DEE HEDDON Turning 40: 40 Turns: Walking and friendship TOWNLEY AND BRADBY Conversations After Dark HAYDEN LORIMER Surfaces and Slopes MIKE PEARSON Warplands: Alkborough PERDITA PHILLIPS Walk ’til You Run Out of Water GREGG WHELAN Running Through a Field: Performance and humanness MARGARET AMES Memory, Identity and a Desire to Dance ADRIAN HOWELLS [artist’s pages] Foot Washing for the Sole JOHANNES BIRRINGER The Un-Seeing Eyes of the Foot: In memoriam Kazuo Ohno SIMON PERSIGHETTI A Mis-Guide Walks to the Shoe Museum. This item is referenced in the Making Routes Study Room Guide (P1964). This item is part of the Study Room Guide to Remoteness (P2600).

Exploration of art from the position of the producer, who does not ask what it looks like or where it comes from, but why it exists in the first place.

Documents and critically examines one of the most fecund periods in the history of live art.

Hundreds of the vessels tumble and turn through my hands and through the kiln over time, until they begin to make themselves heard above the silence that each one has held for so long.

Europe and the Middle East

uman rights and ethics

Artist archive.