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Crossbred and Émigré: Visual Art in a Flux
Article about the Philippine visual art.
In misc folder 7.
Drawing Room Confessions Issue#12 - Stuart Brisley
Three conversations with different interlocutors from a range of fields, designed to present a nuanced portrait of the artist at a particular moment in time.
Problem Market
A virtual platform on which shares of companies dealing with problems are floated.
Part of the Library of Performing Rights (LPR) (P3041).
Political Acts: Pioneers of Performance Art in Southeast Asia
Exhibition catalogue; Arts Centre Melbourne, 11 February – 21 May 2017
Co-Respond
Publication exploring the possibilities of collaboration and conversation between visual art and writing. Featuring written works by fifteen emerging writers, responding to exhibitions presented between June 2011 and January 2012.
Volume 00:01 Play
Annual DVD publication presenting contemporary video works from Australian artists. Includes a publication of essays.
Yoko Ono: Half a Wind Show - a Retrospective
Named after her renowned exhibition at London's Lisson gallery in 1967, this volume features Ono's most important works. It also includes photographs of Ono surrounded by her art, her billboards, “instructions,” letters, invitations to her performances, and exhibition posters.
Published on the occasion of exhibitions at Schirn Kunstahlle Frankfurt (February-May 2013), Louisiana Museum of Modern Art, Humlebaek (June-September 2013) and Guggenheim Museum Bilbao (March-September 2014)
George Chakravarthi documentation
Includes an image bank and a video with extracts from different pieces. Documented works includes: Negrophilia!, Andhaka, Miss United Kingdom, Resurrection, The Ambidextrous Universe, Thirteen, Olympia, Barflies, Shakti, Masking, Genesis and Remote Control.
Art Sex Music
Autobiography of an artist who, as a founding member of the avant-garde group Throbbing Gristle and electronic pioneers Chris & Cosey, has consistently challenged the boundaries of music over the past four decades.
The Concrete Body: Yvonne Rainer, Carolee Schneemann, Vito Acconci
Offering an incisive rejoinder to traditional histories of modernism and postmodernism, this book examines the 1960s performance work of three New York artists who adapted modernist approaches to form for the medium of the human body.
