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Complicating Authorship : Contemporary artists’ names
Artist/Author: Nicola McCartney | Editor: Konstantina Georgelou & Janez Janša | Reference: A0774 | Type: Article

Explores the agency of the pseudonym over a sustained period of time through two case studies in particular: the Guerrilla Girls, an all-female collective working anonymously, and Marvin Gaye Chetwynd, the first British performance artist to be nominated for the Turner Prize.

art market artivism authorship collectivity economy feminism feminist art funding intellectual property money politics

Documenting Performance
Editor: Toni Sant | Reference: P3235 | ISBN: 978-1472588173

The first book to provide a collection of key writings about the process of documenting performance, focused not on questions of liveness or the artistic qualities of documents, but rather on the professional approaches to recovering, preserving and disseminating knowledge of live performance.

Adam Nash Adam Trainer Alberto Pendón Alissa Clarke Allan Taylor Alvin Eng Hui Lim Amy Skinner archive audience audience experience Australia Ben Spatz body Cat Hope Claire Read collection CumberHamlet Daisy Abbott dance Daniela Salazar data digital digital archive digital performance embodiment ephemeral epistemology Gabriella Giannachi Gema Bueno Helen Newall history intellectual property internet interpretation Jeanine Rizzo Joanna Bucknall Kirsty Sedgman Laura Griffiths Laurene Vaughan live event memory Miguel Escobar music National Theatre New Music Archive Panayiota Demitriou paradocumentation participation performer training photography Sarah Whatley social media technology translation UK Vanessa Bartlett Wayang Theatre William Shakespeare

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