Catalogue > By Keyword > interactive
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Interactive Contemporary Art: Participation in Practice
This collection of essays sheds new light on the political, ethical and aesthetic potential of participatory artworks and tests the very latest theoretical approaches to this subject.
Immersive, verbatim & immersively verbatim
Reviews from New York: Sleep No More (Punchdrunk), The Sound and the Fury (Elevator Repair Service), Argument Sessions (Ilana Baker)
The Shop Collections
Documentation and reflections on the project that took over three disused shop spaces in Sharrow, Sheffield. Started in 2002, the project continues around the country to this day.
Theatre and the Digital
Through detailed case-studies on the work of key international theatre companies such as the Elevator Repair Service and The Mission Business, Blake explores how the digital is providing new scope for how we think about the theatre, as well as how the theatre in turn is challenging how we might relate to the digital.
E8: The Heart of Hackney
Publication accompanying the eponymous exhibition at the Transition Gallery, 16 June-15 July 2007; with texts by a number of writers including Iain Sinclair, Charlie Porter and Ruth Jarvis.
Clicking in: Hot Links to a Digital Culture
The most provocative voices of the Digital Age grapple with the direction of digital technology and its concomitant issues, including virtual identities and their relationship to the physical self, the collision of commercial and community interests on the Net, the Net threat to intellectual property, and the merger of art, popular culture, and commerce in interactive media.
Bahrain: Access Denied
The artist’s account of being denied entry at the country of Bahrain’s border. Miscellaneous folder #4.
I Once Fell in Love with an Audience Member Practice, Performance, Politics
In this essay, Tania El Khoury considers performance through the lens of her own practice as a live artist and as a member of Dictaphone Group, a live events project El Khoury started with Abir Saksouk. What emerges is a perspective of a contemporary artist working within the frame of performance, and how one within this frame might define their own practice through experience. In Miscellaneous Articles Folder #4.
Fuzzy
Video commisioned for “Documenting Intimacy”, a research initiative piloted by Brian Lobel and Marisa Zanotti to explore documenting one-to-one performance from the perspective of artists.
Maybe if you choreograph me you will feel better
Video documentation of interactive performance for two audience members set between a street and a second story window.
