During the nineties inter-disciplinary collaborative practice emerged as one of the most significant art form developments of the decade, yet it received negligible critical attention.
This exhibition catalogue explores the material & hidden narratives that inform Stitt’s public demonstrations as an internationally acclaimed performance artist. Including introductions by Nicola Hood and Heike Roms with interviews & texts by Stewart Home, Simon Herbert, Roddy Hunter, Lukasz Guzak & Phil Babot plus an exclusive interview investigating formative work made in Belfast during the late nineteen seventies.
