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Choreographies: Tracing the Materials of an Ephemeral Art Form
Lansley offers unique insight into the processes behind independent choreography and paints a vivid portrait of a rigorous practice that combines dance, performance art, visuals, and a close attention to space and site.
Six Years: The Dematerialization of the Art Object from 1966 to 1972
Lucy R. Lippard documents the chaotic network of ideas that has been labeled conceptual art. The book is arranged as an annotated chronology into which is woven a rich collection of original documents–including texts by and taped discussions among and with the artists involved.
Gob Squad and the Impossible Attempt To Make Sense of It All
A 150 page reader for students and other particularly interested audience members stuffed full of texts, scripts, interviews and concept documents.
RE/Search: Pranks!
Artists pranksters such as Timothy Leary, Abbie Hoffman, Monte Cazazza, Jello Biafra, Earth First!, Joe Coleman, Karen Finley, John Waters and Henry Rollins challenge the sovereign authority of words, images and behavioral convention.
Brion Gysin: Here to Go
A book of interviews with Brion Gysin, by Terry Wilson
What The Butler Saw: Selected Writings by Stuart Morgan
Contains essays and interviews by late leading art critic Stuart Morgan with a foreward by Thomas McEvilley
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
Bas Jan Ader: Suspended Between Laughter and Tears
Catalogue of the exhibition September 30-December 10 2010 curated by Pilar Topkins Rivas
Performing presence: Between the live and the simulated
Poses questions over the nature of action, identity and the self in the relationship with media forms.
We Can Be Heroes: London Clubland 1976-84
Charts the rise of London’s club scene from Punk in the late 1970s to the New Romantics in the 1980s.
! Women Art Revolution
A history of feminist art from the 1960s.