Catalogue > By Keyword > Jacques Rancière
17 results | Page 1 of 2
Documentary
The revival of documentary in art, considered in historical, theoretical, and contemporary contexts.
Performing Antagonism: Theatre, Performance & Radical Democracy
Combines performance analysis with contemporary political philosophy to advance new ways of understanding both political performance and the performativity of the politics of the street.
The Art of Cruelty: A Reckoning
Questions whether or not focusing on representations of cruelty makes us cruel. In a journey through high and low culture, the visual to the verbal, and the apolitical to the political, Nelson offers a model of how one might balance strong ethical convictions with an equally strong appreciation for work that tests the limits of taste, taboo and permissibility.
Girls Make Noise or Girls Make a Difference?
An Investigation into the political efficacy of Pussy Riot’s art.
Towards a Poiesis of Critical Practice: 1000th LIVE and the politics of appearance
On the process and politics of live critical responses to a live stream of Forced Entertainment’s And on a Thousandth Night.
Joined Forces: Audience Participation in Theatre
Four interviews and ten essays, case studies, manifestos and anti-manifestos by theatre makers, curators, critics, and scholars, presenting various examples of audience participation in theatre and linking them to problems of participation in democracy and to socially engaged art.
Beyond Immersive Theatre: Aesthetics, Politics and Productive Participation
Does immersive theatre model a particular kind of politics, or a particular kind of audience? What’s involved in the production and consumption of immersive theatre aesthetics? Is a productive audience always an empowered audience? And do the terms of an audience’s empowerment stand up to political scrutiny?
Protesting Exhibit B in London: Reconfiguring Antagonism as the Claiming of Theatrical Space
The article analyses discourses surrounding the cancellation of Brett Bailey’s performance by the Barbican in September 2014.
Revolutionary Time and the Avant Garde
The first book of its kind to look at the legacy of the avant-garde in relation to the deepening crisis of capitalist non-reproduction.
Radical Intimacy: Ontroerend Goed Meets The Emancipated Spectator
Article exploring the intimacy of the performer-spectator relationship in the encounter between the Jacques Ranciére philosophy and the Belgian, Ghent-based theatre performance group Ontroerend Goed’s immersive performance work.
