Skip to main content

Catalogue > By Keyword > Jean Fisher

6 results | Page 1 of 1

Emily Jacir: Europa

Editor: Emily Jacir and Omar Kholeif | Reference: P3123 | ISBN: 978-3791354842 | Type: Publication

This book focuses on this award-winning artist’s relationship to Europe and the Mediterranean and explores how one relates to a particular place. Published to accompany exhibitions at the Whitechapel Gallery (Sept 2015 – Jan 2016) and IMMA (Oct-Dec 2016).Part of the Study Room Guide on Live Art and Displacement (P3107).

Framing Feminism

Editor: Rozsika Parker and Griselda Pollock | Reference: P2841 | ISBN: 978-0863581793 | Type: Publication

An introduction to the major events and debated in the early years of feminist art practice. An extensive collection of articles, as well as broadsheets printed in facsimile, illustrate the history and diversity of arguably the most important intervention in modern art.

This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)

Piercing Brightness

Artist/Author: Mark Bartlett, Shumon Basar and Jean Fisher, | Editor: Gerrie Van Noord | Reference: P1921 | ISBN: 978--3-86335-146-5 | Type: Publication

Book accompanying major solo exhibition of British artist Shezad Dawood.

Art for All? Their Policies and Our Culture

Editor: Mark Wallinger and Mary Warnock | Reference: P0225 | ISBN: 978-0953977208 | Type: Publication

A large format and graphically bold publication that goes to the very heart of contemporary debate about the responsibility and function of the arts and of artists in society today.

Platform Study Room Guide (P1820). This item is referenced in the Dreams for an Institution Guide (P2313) and the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)

Part of the Library of Performing Rights (LPR) (P3041).

Live: Art and Performance

Editor: Adrian Heathfield | Reference: P0553 | ISBN: 1-85437-501-6 | Type: Publication

Leading artists and thinkers assess the relevance of live art now, its impact within the visual arts and the broader cultural sphere.

This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195) and the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)

This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)

Donation

£