acting actor Antonin Artaud archetype Arthur Miller audience Bertolt Brecht body capitalism choreography cultural theory culture dance Denise Collier difference experience Fredric Jameson gender identity ideology interpretation irony Jerzy Grotowski joke Kate Bornstein Konstantin Stanislavski language Meredith Monk minimalism modernism narrative ORLAN performance Peter Brook political art politics presence resistance Richard Schechner Rosanne Barr self stand-up subjectivity Susan Foster theatre Vito Acconci Willem Dafoe women Wooster Group

amateru America Andy Warhol archive Caffe Cino capitalism Coney Island cultural studies desire Dominic Johnson drag drugs economy Elisabeth Freeman Ellen Stewart Factory history Hurrah for the Bridge Jack Smith Jackie Curtis Jennifer Doyle Jerzy Grotowski John Vccaro kinship La Mama labour midnight performances money Off-Off-Broadway Paul Foster Penny Arcade performance productivity queer theory reproduction Ronald Tavel Screen Tests sideshow spectatorship Stefan Brecht temporality theatre Tom Eyen underground USA Why Hanna's Skirt Won't Stay Down work