Alexander Manuiloff Alexandros Mistriotis Alicia Talbot Ania Obolewicz Anna Lengyel Belarus Free Theatre Bernadette Buckley Bill Aitchison boycott Brigid Pasco Carlos Costa citizenship conflict zone Cynthia Cohen Deborah Pearson Diana Arce Donatella Della Ratta embargo environnement Eugenia Tzirtzilaki Eugenio Amaya Fabio Biondi funding Gabor Takacs George Sachinis ideology IETM Igor Stiks Jaime López Molina James Thompson Jeannie Park Jenny Svensson Jessica Litwak Jesus Algovi John Jordan Joseph O’Farrell Jumana Al-Yasiri Kate Nelson labour Liberate Tate LIFT Liz Pugh María María Acha-Kutscher Marton Oblath Masasit Mati Mehdi Farajpour Mel Cheong Michael Walling Milo Rau money Nabil Ahmed Nazli Tabatabai-Khatambakhsh Nicolas Bertrand Nil Dinc Pamela Cohn PanoDrama Patricia Kistenmacher Paula McFetridge Pedro Manuel politics public space Ragna Weisteen Rosie Kay Samuel Erskine Sarah Günther Sarah Spanton Sean-Poul de Fré Gres Sergej Korsakov socially engaged Stefania Zepponi Tania El Khoury Teatro Valle Occupato Todd Lester war Whitney Dufrene Yael Lerer

Accidental Collective amateurism Caroline Locke Caroline Wright collaboration creative process Dan Koop Daniel Bye Dirty Market Donald Hutera economy Emma Frankland exchange Fictional Dogshelf Gob Squad Greg Wohead Hannah Jane Walker Hannah Nicklin Harun Morrison Helen Cole Helen Paris ideology immediacy Joseph O’Farrell Karen Christopher Keir Cooper labour Lila Dance Little Bulb live art lo-fi LOW PROFILE Mamoru Iriguchi Melanie Wilson Paper Cinema Patternfight performance Pippa Bailey Plastic Castles production model professionalism Rachel Mars Sh!t Theatre Shamira Turner Simon Bowes Sleeping Trees Sleepwalk Collective Tassos Stevens theatre Uninvited Guests