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Portfolio: Black Market Knowledge
This portfolio of photographs presents the work of Berlin-based Hannah Hurtzig and her Mobile Academy.
Parallel Slalom: A Lexicon of Non-Aligned Poetics
This collection touches upon numerous ideological categories that appear in the encounters between East and West as a consequence of the hierarchical matrix of the western narrative.
COLAB Editions: The Publication
The Publication follows the journey of ten collaborations, created by Co-Lab performance art program together with Savvy Contemporary Art Laboratory in Berlin.
Institution for the Future
Institution for the Future is an archive of ideas bringing together reflections by artists, curators and other cultural workers on what an institution for the future should and needs to look like. With contributions from Ade Darmawan, Alexandra Hodby, Alistair Hudson, Dmitry Vilensky, Dorothea von Hantelmann, Elaine W. Ho, Gerald Raunig, Hans Ulrich Obrist, Hu Xiangqian, Ho Tzu Nyen, Jens Hoffmann, Joao Ribas, Jun Yang, Keren Cytter, Liu Ding, Marina Abramovic, Michael Lee, Monika Szewczyk, Nikita Yingqian Cai, Richard Streitmatter-Tran, Roslisham Ismail, Ise, Sam Bower, Seng Yujin, Third Belgrade, Tino Sehgal, Vandy Rattana and Yoko Ono.
(Syn)aesthetics: Redefining Visceral Performance
Approaches to thinking, writing, producing and receiving (syn)aesthetic performance
Black Market International – For Useful Knowledge and non-knowledge No.8
Collection of documents – programmes, hand-outs, notes, articles – principally on the 8th edition of Black Market International presented at Steirischer Herbst, Graz, Austria, 2007. Blackmarket gathers 100 ideas and experiences presenting the mechanism of symbolic exchange. Two folders in box
The Open University
A functioning outdoor lecture theatre in a roadside refuse skip and ad hoc lecture series on the subject of what is and what is not trash.
Part of the Trashing Performance programme, 25-29th October 2011.
Walk With Me, Walk With Me, Will Somebody Please Walk With Me
This documentation has since been presented with the permission of the artist as part of the Performance Matters, Performing Idea, Performance Lecture Archive; an interactive video archive housed at the Whitechapel Gallery between 2-9 October 2010. The archive looked at examples of the performance lecture as a form of artistic and critical expression and its potential to address a broad range of cultural issues and philosophical ideas. This item is referenced in the Making Routes Study Room Guide (P1964) and the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
Black Market International Documentation
Documentation and Photo stills from performance at Geblasehalle.
Good Circulation
Explores the space between production and consumption.