Catalogue > By Keyword > Korea
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Still Hear the Wound: Toward an Asia, Politics, and Art to Come
The volume introduces English language readers for the first time to work by an emerging group of critics and artists addressing the legacies of colonial violence in present-day Japan. The volume contains translated essays, and an accompanying DVD with artist interviews.
Translated Acts - Performance and Body Art from East Asia documentation
Selected images from the exhibition Translated Acts, curated by Yu Yeon Kim at the Haus der Kulturen der Welt and the Queens Museum of Art in 2001.
Welcome
Collection of images and documentation for Choi Jeong Hwa’s first UK solo show in Wolverhampton Art Gallery, 2007. Shelved in Oversize publications section.
Performance Matters – Potentials of Performance – The State of Official-ity: Two Koreas that are Off
British Library Sound Archive recording and documentation of Potentials of Performance events (26-27 October 2012). This third themed year of the Performance Matters project features a vibrant series of commissions exploring and exploding the dialogue as a potential format for thinking through and testing possible futures. Jungmin Song’s dialogue explores the spectacles of the death of power and repressed mourning through performative tales of the Two Koreas.
Korea Experimental Arts Festival 2005
An overview of artists’ work at the Korea Experimental Arts Festival 2005. In Korean.
December 2-4, 2005, South Korea.
Korea Performance Art 40 Years 40 Artists
NOTE: Text is in Korean but images and artifacts give an extensive overview of Korean performance artists from this period. See KoPAS website for more details.
Art Gwangju 2011 Live Art Development Agency Unbound Slideshow
Displayed at the Art Gwangju 2011 fair in Korea.
7th Asiatopia and First S.E. Asia Performance Art Symposium (SEAPAS)
Documentation from the festival, held 24-27 November 2005, in Bangkok, Thailand.
Part of the Library of Performing Rights (LPR) (P3041).
The Old Vibration/2 Le Deux
All documents held in a brown paper envelope, labelled ‘Soro Performance Unit’. SORO means ‘The land contains the seed’ or ‘small road’ – it is intended to question the background to contemporary art activity from the perspective of human activity.
