Excerpt of video documents a live performance held in the summer of 1976. Super 8 film & video, colour, sound.

Work in progress footage of performance in 2013

This publication tries to reproduce an exhibition that tried to give the summation of a rich and diverse movement

This collection of essays surveys the performance and promise of contemporary global artist-run centres and initiatives within the historical contexts that saw their emergence.

Remember Saro-Wiwa is a coalition of organisations and individuals initiated and co-ordinated by PLATFORM. Pack includes press reviews, articles and promotional material, and a DVD ‘Refining Memory’ by Andrew Conio and Judy Price

A guide about the future of the small-scale visual arts sector, outlining economic and social understandings of value, measuring the value of arts organizations and sustainability.

British Library Sound Archive recording and documentation of Potentials of Performance events (26-27 October 2012). This third themed year of the Performance Matters project features a vibrant series of commissions exploring and exploding the dialogue as a potential format for thinking through and testing possible futures. Set in an ideal world where the labour of performance can take time and place, can be witness and witnessed, can live and let live, uneventful is a series of compositional vignettes that exist as enduring acts of love and labour ‘in the making.’

British Library Sound Archive recording and documentation of Potentials of Performance events (26-27 October 2012).

In Miscellaneous Articles 4 folder. Review of the work by Monica Ross involving a series of public recitations of the Declaration of Human Rights from memory together with other co-recitors.

Recording of live performance narrating the rise of capital in the medium of asparagus. Ta rigid choreography inspired by Oskar Schlemmer’s Triadic Ballet and based on Karl Marx’s Capital dictated the movements of six performers in asparagus costumes. Bringing together the organic and the geometric, the ballet investigated the transition from the Fordist assembly line to immaterial labour through a reanimation of modernist abstraction. Produced in collaboration with Montreal based band Les Georges Leningrad and commissioned by The Showroom Gallery, London.