AIDS assimilation BDSM black cannibalism Cassils Dracula Eve Kosofsky Sedgwick exclusion gay gender HIV homosexuality knowledge production Lady Gaga Latinx lesbian LGBTQ literature M Lamar marginalisation Marquis de Sade material melancholia neoliberalism paranoia performance popular culture pulp fiction queer queer temporality race racism Ron Athey sadomasochism sexuality Sigmund Freud theory trauma violence visual art Zackary Drucker

activism Aine Phillips Alexis Petridis Andrew Haydon Andy Field Andy Horwitz Barrak Alzaid Barry Laing Ben Walters Beyonce Brandon Woolf Brian Lobel camp Carrie MclLwain Cat Harrison Catherine Spencer Charlotte Raven Claire Bishop Claudia La Rocco Clifford Owens club Cristiane Bouger criticalnetwork criticism Dana Goodyear Daniel B. Yates Daniel McClean Deborah Pearson Diana Damian Dina Ibrahim Dominic Johnson Eddy Dreadnought Emily James Emma Geliot Esther Baker-Tarpaga Fabiane Borges Flora Pitrolo Gabriela Salgado Genesis P-Orridge Gob Squad Guillermo Gómez-Peña Hari Kunzru Helen Cole Henry Langston Henry Lydiate history Ian Milliss intervention interview James Westcott Jane Trowell Joanna Brown Joe E. Jeffreys John Jordan John Maus Johnathan Waring Judith Mackrell Kristin M. Jones Lady Gaga Larissa Ferreira Liberate Tate Liz Kotz Lois Jeary Lucy Neal Luke Jennings Maddy Costa Malcolm Whittaker Manick Govinda Marcia Farquhar Marina Abramović Mark Harvey Marta Jecu Mary Paterson Matt Fenton Matt Trueman Natasha Degen Natasha Vicars Oliver Basciano Ontroerend Goed Owen Parry Paul Levinson performance art performance festival politics pop music Pushpamala N Roberta Mock Roger Ely Rose Fenton Rubiane Maia Ruth Holdsworth Ruth Maclennan Sally Labern Sara Panamby Rosa da Silva Sean O'Hagan Stephen Squibb Steven L. Bridges Stuart Tait Tamarin Norwood Tania El Khoury theory Theron Schmidt Tiffany Charrington trash Verenilde Santos Victoria Gray Yoko Ono You Me Bum Bum Train

gender identity Lady Gaga music performance popular culture women