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Affect, Animals, and Autists
Maps connections across performances that question the borders of the human whose neurodiverse experiences have been shaped by the diagnostic label of autism, and animal-human performance relationships that dispute and blur anthropocentric edges.
Weight of the Earth: The Tape Journals of David Wojnarowicz
At the height of the AIDS epidemic, Wojnarowicz began keeping audio journals, returning to a practice he'd begun in his youth. The publication presents transcripts of these tapes, documenting the artist's turbulent attempts to understand his anxieties and passions, and tracking his thoughts as they develop in real time.
Part of the Library of Performing Rights (P3041)
Posthuman Spiritualities in Contemporary Performance: Politics, Ecologies and Perceptions
Examines five performance/artworks: The Artist is Present (2010) by Marina Abramović; The Deer Shelter Skyscape (2007) by James Turrell; CAT (1998) by Ansuman Biswas; Journey to the Lower World by Marcus Coates (2004); and the work with pollen by Wolfgang Laib.
When Species Meet
Contemplates the interactions of humans with many kinds of critters, especially with those called domestic.
Encounters in Performance Philosophy
A collection of 14 essays by international scholars and practitioners from across the disciplines of Philosophy, Literature and Theatre and Performance Studies, addressing the nature of the relationship between philosophy and performance.
Gender Trouble
Arguing that traditional feminism is wrong to look to a natural, ‘essential’ notion of the female, or indeed of sex or gender, Butler starts by questioning the category ‘woman’ and continues in this vein with examinations of ‘the masculine’ and ‘the feminine’.
The Little Book of Answers Vol.1
Compiles the correct answers of six UK naturalisation exams.
Part of the Library of Performing Rights (LPR) (P3041).
From Acting to Performance: Essays in Modernism
Surveys the changes in acting and performance during the crucial transition from the ecstatic theatre of the 1960s to the ironic postmodernism of the 1980s.
To All Appearances: Ideology and Performance
The author’s concerns – which include the social meaning of illusion and the cultural manifestation of power – take the reader from Eleanora Duse to Laurie Anderson; from the puppet theatre of Kleist to Kantor’s theatre of the dead; and from the Kutiyattam temple dancers in Kerala to Womanhouse in Los Angeles.
Touch Me Festival 2017
Festival / exhibition catalogue. 6-18 October 2017.
In Croatian and English.