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The Rebel Man Standard interviews/blog
Includes company interviews on politics and arts with individual artists and a blog post, The Plight of the Black Artist: The residency industry, by Zinzi Minott.
Interview with Kevin Atherton 2005 REWIND| Artists’ Video in the 70s & 80s.
Found in miscellaneous article folder #5B
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
One for Sorrow, Two for Mirth: The Performance Work of Rose Finn-Kelcey
Found in miscellaneous article folder #5B
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
Guy Debord and the Situationist International: Texts and Documents
A revised and expanded version of a special issue of the journal October (Winter 1997) that was devoted to the work of the Situationist International (SI). The first section of the issue contained previously unpublished critical texts, and the second section contained translations of primary texts that had previously been unavailable in English.
Carlyle Reedy: Icons of a Process
Catalogue for the 2014 Flat Time House exhibition, which comprised of elements of the many modes of Reedy’s production across decades, including video and audio works unseen and unheard since the 1970s and 80s.
Radical Prototypes: Allan Kaprow and the Invention of Happenings
Rodenbeck offers a rigorous art historical reading of Kaprow’s project and related artworks. She finds that these experiential and experimental works offered not a happy communalism but a strong and canny critique of contemporary sociality. Happenings, she argues, were far more ambivalent, negative, and even creepy than they have been portrayed, either in contemporaneous accounts or in more recent efforts to connect them to contemporary art’s participatory strategies.
Smiling at you : Sharone Lifschitz – works 2000-2014
Catalogue of exhibition held at the Jüdisches Museum Munich 26/02-09/06 2014.
The Holborn Cenotaph
This small pamphlet was written for and first performed as a live reading at ‘The Cenotaph Project & the public sphere’, an event by Maya Balcioglu, Stuart Brisley, Sanja Perovic and White (with chair Johanna Malt) that took place in the King’s College Strand Campus chapel in London, on 24 October 2014. Limited edition copy. In large forlder.
.perf
A DVD assembling documents the event “.perf 2013″, including excerpts from the performances as well as commentaries and reviews from several art critics.
And You Were Wonderful, On Stage
Documentation and text of Spooner's live production that articulates the loss of live delivery of language, in contemporary life.
