Highlights the critical role that performance played in the development of Latina/o queer public culture in the United States during the 1990s and early 2000s.

Part of the Library of Performing Rights (P3041).

Explains how Latinx political identities are tied to a long Latin American history of mestizaje—“mixedness” or “hybridity”—and that this border thinking is both a key to understanding bilingual, bicultural Latin cultures and politics and a challenge to America’s infamously black–white racial regime.

The artist's body is spit on and punished by an indigenous Guatemalan woman.
Part of the Library of Performing Rights (LPR) (P3041)

Documentation from the performance at the ASU mainstage.

Part of the Library of Performing Rights (LPR) (P3041).

Includes production stills and performance text.

Part of the Library of Performing Rights (LPR) (P3041).

Rooted in Anzaldua’s experience as a Chicana, a lesbian, an activist, and a writer, the essays and poems in this volume profoundly challenge how we think about identity. Borderelands remaps our understanding of what a “border” is, presenting it not as a simple divide between here and there, us and them, but as a psychic, social, and cultural terrain that we inhabit, and that inhabits all of us.
Part of the Study Room Guide on Live Art and Displacement (P3107).

Catalogue including a selection of the most representative projects developed by the Mexican artist between 2000-2005.

Digital documentation. Mexican performance artist Felipe Osornio aka Lechedevirgen Trimegisto screening programme of artists working in the contemporary Latin-American scene in relation to Postporno, gender and sexuality, presented on Wednesday 8 April 2015, in the LADA Study Room.

Part of “Negación y Utopía” (“Nagation and Utopia”), the first National Festival of Performance of Mexico, 6-29 November 2013, a platform showcasing work on Mexican identity and multicultural hybrids. This documentation includes recordings of the performance, exerpts, and interviews with the artist. Spanish language.

Part of “Negación y Utopía” (“Nagation and Utopia”), the first National Festival of Performance of Mexico, 6-29 November 2013, a platform showcasing work on Mexican identity and multicultural hybrids. This documentation includes recordings of the performance, exerpts, and interviews with the artist. Spanish language.