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Performance Artist: Compilation DVD 2003-2010
www.jessdobkin.comSee also P1525 for Jess Dobkin: This is my work.
Theatre & Sexuality
Jack Smith’s Rehearsals for the Destruction of Atlantis: ‘Exotic’ Ritual and Apocalyptic Tone
Engaging a series of critical models, this article examines the place of the ‘exotic’ in thinking about sexual and racial difference, as a means of thinking difficult or volatile modes of cultural practice. As such, it stages a confrontation between ‘exotic ritual’ and ‘apocalyptic tone’, to challenge conventions about scholarly practice and find new ways of examining uncomfortable spaces and modes of working.
Speech Acts
An interview with American artist Sharon Hayes
Staying - Dream, Bin, Soft Stud and Other Stories (workshop notes)
Staying: Dream, Bin, Soft Stud and Other Stories
Chelsea Girls
Mary Paterson reflects on the Chelsea Sacred Festival, Lois Weaver’s What Tammy Needs to Know About Getting Old (having fun) and Having Sex, and socially engaged practice, persona, memory, autobiographical
Lois Weaver - solo performance artist & co-founder of Split Britches
Split Britches: Lesbian Practice/Feminist Performance
Split Britches: Lesbian Practice/Feminist Performance, Sue-Ellen Case, Lois Weaver, Peggy Shaw, Deborah Margolin, an anthology of Split Britches play texts, including programme notes, performance photographs, and a critical, historical introduction
Contemporary Feminist Theatres
Feminist theatre companies taken in consideration: Women’s Theatre Group, Monstrous Regiment, Gay Sweatshop, Siren, Theatre of Black Women, Talawa, Sistren, Black Mime Theatre Women’s Troop, Tattycoram, Clean Break Theatre Company. This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)