Catalogue > By Keyword > live art
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Death and the anthropomorphic life of objects in performance
On Marina Abramović’s Nude with Skeleton and other animations.
Two Live Artists in the Theatre
The two live artists engage in a playful, theatre-inspired dialogue (complete with stage directions) in which they discuss their complicated relationships, working within theatre institutions.
Vibrations III
Third edition of the open-access art journal for creative writing.
Because of Hair; The Dichotomy of Culture and Identity
Using memories of her experience of masquerades in Nigeria, the artist employs movement and masks of hair as power objects, which conceal and reveal the black body, the black female.
Catalogue - Venice International Performance Art Week 2014: Ritual Body - Political Body
Festival catalogue.
Queer Dramaturgies
Starting from the premise that live performance is experienced in a material, local context, the chapters analyse the intricate and complex workings of queer dramaturgy within specific venues, cities, nations or transnationally.
…under my skin
Kapelica Gallery calendar.
Shelved in Oversize publications section.
Entrevista: Manuel Vason
Interview with Manuel Vason; in Spanish.
Hybrid collection
All issues (pilot-6) of the “international cross-artform bi-monthly”.
Ouch: Pain and Performance
A LADA screening programme for the 2016 Venice International Performance Art Week: a collection of documentation and artists’ films looking at pain and performance.
Includes:
Marina Abramovic – On ‘Rhythm O’, 1974, 2013, 3’07” ; Ron Athey – Ron’s Story, 2001, 4’44”; Marcel.Li Antunez Roca – Epizoo, 1994, 8’29; Franko B – Don’t Leave Me This Way, 2009, 5’03”; Wafaa Bilal – On ‘Shoot An Iraqi’, 2007, 2’21”; Rocío Boliver – Times Go By and I Can’t Forget You: Between Menopause and Old Age, 2013, 4’18”; Cassils – The Powers That Be, 2016, 2’24”; Bob Flanagan – Cystic Fibrosis Song, 1990’s 1’32”; Regina Jose Galindo – Lucha, 2002, 3’37”; jamie lewis Hadley – this rose made of leather, 2012, 9’10”; Nicola Hunter & Ernst Fischer – Passion/Flower, 2012, 4’02”; Oleg Kulik – Dog House 1996, 4’10”; Martin O’Brien – Taste of Flesh, 2015, 2’59”; Kira O’Reilly – Wet Cup, 2000, 2’29”; ORLAN – Successful Operation, 1990, 6’16”; Petr Pavlensky – Radical Artist In Court – Ukraine Today News Item, 2015, 1’57”
