Press clippings.

INTIMACY was a three-day digital and live art programme (7-9 December 2007, London) made to induce interaction and provoke debate, and enable the interrogation and creative exploration of formal, aesthetic and affective modes of performing intimacy. Workshop documentation (CD) of the performance-experiment devised and directed by Lauren Goode (see REF. D1160) including: a transcript of the of the workshop, still images, the discussion, and moving image documentation. This item is part of the Study Room Guide on One to One Performance by Rachel Zerihan (P1320)

A three-day digital and live art programme (7-9 December 2007, London) made to induce interaction and provoke debate, and enable the interrogation and creative exploration of formal, aesthetic and affective modes of performing intimacy. Workshop documentation  of the performance-experiment devised and directed by Lauren Goode aimed to explore: visibility and invisibility of intimacy, possibility and impossibility of intimacy, conscious and non-conscious intimacy; public intimacy. This item is part of the Study Room Guide on One to One Performance by Rachel Zerihan (P1320)

INTIMACY was a three-day digital and live art programme (7-9 December 2007, London) made to induce interaction and provoke debate, and enable the interrogation and creative exploration of formal, aesthetic and affective modes of performing intimacy. Performances: 13 Volts and 1 Carrot by Eva Sjuve; Belonging by Avatar Body Collision; Concrete Corps by Atau Tanaka. This item is part of the Study Room Guide on One to One Performance by Rachel Zerihan (P1320)

INTIMACY was a three-day digital and live art programme (7-9 December 2007, London) made to induce interaction and provoke debate, and enable the interrogation and creative exploration of formal, aesthetic and affective modes of performing intimacy. Performance: TranSfera by SUKA OFF. This item is part of the Study Room Guide on One to One Performance by Rachel Zerihan (P1320)

INTIMACY was a three-day digital and live art programme (7-9 December 2007, London) made to induce interaction and provoke debate, and enable the interrogation and creative exploration of formal, aesthetic and affective modes of performing intimacy. Performances: Fee for Service by Jess Dobkin; From Anger to Sadness by Frank Millward; Goldilocks Peep Show by Leena Kela; How to Wax by Rachelle Beaudoin; Microdances: An Intimate Post-post-porn Performance by Jaime del Val. This item is part of the Study Room Guide on One to One Performance by Rachel Zerihan (P1320)

INTIMACY was a three-day digital and live art programme (7-9 December 2007, London) made to induce interaction and provoke debate, and enable the interrogation and creative exploration of formal, aesthetic and affective modes of performing intimacy. Performance: Suna No Onna by Dans Sans Joux. This item is part of the Study Room Guide on One to One Performance by Rachel Zerihan (P1320)

INTIMACY was a three-day digital and live art programme (7-9 December 2007, London) made to induce interaction and provoke debate, and enable the interrogation and creative exploration of formal, aesthetic and affective modes of performing intimacy. Performances: Spank by Caroline Smith; This is How it Was by Chris Johnston. This item is part of the Study Room Guide on One to One Performance by Rachel Zerihan (P1320)

INTIMACY was a three-day digital and live art programme (7-9 December 2007, London) made to induce interaction and provoke debate, and enable the interrogation and creative exploration of formal, aesthetic and affective modes of performing intimacy. Workshop Outcomes ‘Intimacy and Recorded Presence' with Kelli Dipple. This item is part of the Study Room Guide on One to One Performance by Rachel Zerihan (P1320)

INTIMACY was a three-day digital and live art programme (7-9 December 2007, London) made to induce interaction and provoke debate, and enable the interrogation and creative exploration of formal, aesthetic and affective modes of performing intimacy.Workshop Extract: Bodies of Colour' with Johannes Birringer. Performance: Four Images by Adam Overton. This item is part of the Study Room Guide on One to One Performance by Rachel Zerihan (P1320)