Catalogue > By Keyword > live art
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Universality Challenge
Part of Sacred Season at the Chelsea Theatre, 28 April – 10 May 2008 (For full programme see REF. P1132).
Tulca Live 2007
A Galway based season of contemporary visual arts exhibitions, live-art performances, discussions & talks that aim to offer opportunities to local, national and international artists and to develop and stimulate the growing visual culture in city and county. 9th to the 25th November 2007.
This item is part of Brutal Silences: the Study Room Guide On Live Art In Ireland by Anna Maria Healy and Helena Walsh (P1661)
In Search of Documentology: Walking (half) the study room
Created in response to Pustianaz's personal meanderings of the Live Art Development Agency's Study Room, this good natured, playful and mischievous guide invites a solo journey around the concepts and ideas behind 'the event' and 'the document' inspired by the documents of the Study Room itself.
4th Dadao Live Art Festival
Video documentation of international festival of avant-garde performance and live art.
WMV files, VLC Media Player compatible.
Past Projects - Hong Kong Performance Art Research Project
Tracing the history of Hong Kong performance art with a chronology and archival documentation. A4 folder, unbound pages.
New Territories 2008
Program of new territories 2008 National Review of Live Art 2008. For PDF version of publication REF. P1052
Live Autobiography Performance Works 2006 - 2008
A retrospective of the artist’s work including: Harness; The Work of Work, The Work of Love (War); Eyeless; Burning Mirror; Red Weight; Re-Enactions (of a Love Affair); Caravan; Armed Love. The case contains two info-cards of the pieces The Work of Work and The Work of Love (War). This item is part of Brutal Silences: the Study Room Guide On Live Art In Ireland by Anna Maria Healy and Helena Walsh (P1661)
Live Art Falmouth
Article reflecting back on the Live Art Falmouth event 2007. In Miscellaneous box
Full Bleed
Produced by Colchester Arts Centre. Edited by filmtribe MMVI.
On Performance and Performativity
In what ways does the experience of live art counter the ideological readings of place, context and significantly, gendered codification?
Found in miscellaneous article folder #5
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)