Catalogue > By Keyword > live art
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Performance Now: Live Art for 21st Century
This major survey charts the development of live art across six continents since the turn of the twenty- first century, revealing how it has become an increasingly essential vehicle for communicating ideas across the globe in the new millennium.
The Artist practice of Exorcism
Archive and essay on the artistic exploration of exorcism. Includes a dissertation, CDs, DVDs, and objects.
In the glass cabinet.
Performing Archives/Archives of Performance
Contributes to the ongoing critical discussions of performance and its disappearance, of the ephemeral and its reproduction, of archives and mediatised recordings of liveness.
Performing Bodies in Pain: Medieval and Post-Modern Martyrs, Mystics, and Artists
Analyzes the cultural work of spectacular suffering in late-medieval France and the twenty-first century, reading recent dramatizations of torture and performances of self-mutilating conceptual art against late-medieval saint plays.
Part of the Library of Performing Rights (P3041)
(States of) Wake
(States of Wake) was a live critical writing project that took the form of dedications as moments of critical attention, unfolding as part of WAKE Festival in Folkestone. This book is a document of that process and an exploration of the gesture of dedicating performance.
My Name is Black
Performance at Studio 21, Kolkata. Part of Kolkata International Performance Arts Festival 2014
Book of Medicine
A genuine, humorous, and powerful reflection on love, life, death, and “fighting sickness with sickness.” Edited and compiled by Sheree Rose and Rhiannon Aarons.
British Art: Defining the 90s
Highlights the various aspects of particular interest and activity which make the British scene distinctive and exciting.
Survival of the Sickest - the art of Martin O’Brien
The first book bringing together writing and documentation on Martin O’Brien and marking ten years of his work.
Part of the Library of Performing Rights (LPR) (P3041).
Applying Performance: Live Art, Socially Engaged Theatre and Affective Practice
Draws upon cognitive and affect theory to examine applications of contemporary performance practices in educational, social and community contexts. The writing is situated in the spaces between making and performance, exploring the processes of creating work defined variously as collaborative, participatory and socially engaged.
