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The Live Art Almanac: Volume 3
Editor: Lois Keidan, Aaron Wright | Reference: P2250 | ISBN: 9781849433969 | Type: Publication

A collection of ‘found’ writings about and around Live Art that were originally published, shared, sent, spread and read between January 2010 and December 2011

activism Aine Phillips Alexis Petridis Andrew Haydon Andy Field Andy Horwitz Barrak Alzaid Barry Laing Ben Walters Beyonce Brandon Woolf Brian Lobel camp Carrie MclLwain Cat Harrison Catherine Spencer Charlotte Raven Claire Bishop Claudia La Rocco Clifford Owens club Cristiane Bouger criticalnetwork criticism Dana Goodyear Daniel B. Yates Daniel McClean Deborah Pearson Diana Damian Dina Ibrahim Dominic Johnson Eddy Dreadnought Emily James Emma Geliot Esther Baker-Tarpaga Fabiane Borges Flora Pitrolo Gabriela Salgado Genesis P-Orridge Gob Squad Guillermo Gómez-Peña Hari Kunzru Helen Cole Henry Langston Henry Lydiate history Ian Milliss intervention interview James Westcott Jane Trowell Joanna Brown Joe E. Jeffreys John Jordan John Maus Johnathan Waring Judith Mackrell Kristin M. Jones Lady Gaga Larissa Ferreira Liberate Tate Liz Kotz Lois Jeary Lucy Neal Luke Jennings Maddy Costa Malcolm Whittaker Manick Govinda Marcia Farquhar Marina Abramović Mark Harvey Marta Jecu Mary Paterson Matt Fenton Matt Trueman Natasha Degen Natasha Vicars Oliver Basciano Ontroerend Goed Owen Parry Paul Levinson performance art performance festival politics pop music Pushpamala N Roberta Mock Roger Ely Rose Fenton Rubiane Maia Ruth Holdsworth Ruth Maclennan Sally Labern Sara Panamby Rosa da Silva Sean O'Hagan Stephen Squibb Steven L. Bridges Stuart Tait Tamarin Norwood Tania El Khoury theory Theron Schmidt Tiffany Charrington trash Verenilde Santos Victoria Gray Yoko Ono You Me Bum Bum Train

Programme Notes: Case studies for locating experimental theatre, second edition
Editor: Lois Keidan, CJ Mitchell | Reference: P2120 | ISBN: 978-1-84943-459-1 | Type: Publication

Programme Notes: Case studies for locating experimental theatre, revised and expanded second edition is a collection of commissioned essays, case studies and interviews reflecting the exciting and complex relationships between ‘mainstream’ stages and ‘experimental’ theatre practices. This revised and expanded edition includes the original contributions (from the first edition, published 2007) whilst illustrating some of the seismic shifts that have taken place across the theatre landscape of the UK since 2007 through profiles of the work of Manchester International Festival, National Theatre Scotland, BAC (Battersea Arts Centre) and Forest Fringe.

Alan Rivett Alex Poots Amanda Coogan Andy Field Artsadmin audiences BAC Battersea Arts Centre Brian Logan camp club Daniel Brine David Jubb David Micklem Deborah Pearson Duckie Forest Fringe John McGrath Judith Knight Keith Khan Louise Jeffreys Lucy Neal Lyn Gardner Lyric Hammersmith Manchester International Festival Marina Abramović Mark Borkowski Mary Brennan Matt Fenton National Theatre of Scotland Neil Bartlett performance art queer Rose Fenton Simon Casson Stella Hall theatre Tim Etchells Toni Racklin trash Vicky Featherstone

Programme Notes: Case studies for locating experimental theatre
Artist/Author: Various | Editor: Lois Keidan and Daniel Brine | Reference: P1169 | ISBN: 978-0954604040 | Type: Publication

A collection of case studies, interviews and essays which explores the ways in which contemporary theatre is changing through new relationship between mainstream venues and experimental practices. 108 pages, 16 black and white photographs, 12cm x 16.5cm. This item is referenced in the Dreams for an Institution Guide (P2313).

Alan Rivett Brian Logan experimental theatre John McGrath Judith Knight Keith Khan Louise Jeffreys Lucy Neal Lyn Gardner mainstream Mark Borkowski Neil Bartlett photographs Rose Fenton Simon Casson Stella Hall Tim Etchells Toni Racklin

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