Catalogue > By Keyword > Marina Abramović
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Concerning Consequences: Studies in Art, Destruction, and Trauma
From war and environmental pollution to racism and sexual assault, the publication analyzes the consequences of trauma as seen in the works of artists like Marina Abramović, Pope.L, and Chris Burden.
Performing Bodies in Pain: Medieval and Post-Modern Martyrs, Mystics, and Artists
Analyzes the cultural work of spectacular suffering in late-medieval France and the twenty-first century, reading recent dramatizations of torture and performances of self-mutilating conceptual art against late-medieval saint plays.
Part of the Library of Performing Rights (P3041)
Histories of Performance Documentation: Museum, Artistic, and Scholarly Practices
Traces the many ways in which museums have approached performance works from the 1960s onwards, considering the unique challenges of documenting live events.
Artists in the Archive: Creative and Curatorial Engagements with Documents of Art and Performance
Explores the agency and materiality of the archival document through a collection of critical writings and original artworks,
Walking and Mapping: Artists as Cartographer
An exploration of walking and mapping as both form and content in art projects using old and new technologies, shoe leather and GPS.
The Triumph of Anti-Art: Conceptual and Performance Art in the Formation of Post-Modernism
Guides the reader through a thicket of seemingly arcane meanings of nonrepresentational art forms, and brings clarity to the intentions and agendas of these artists, as well as to their real world contexts.
The Art of Cruelty: A Reckoning
Questions whether or not focusing on representations of cruelty makes us cruel. In a journey through high and low culture, the visual to the verbal, and the apolitical to the political, Nelson offers a model of how one might balance strong ethical convictions with an equally strong appreciation for work that tests the limits of taste, taboo and permissibility.
Venice International Performance Art Week 2016 - Fragile Body - Material Body
Post-event hard cover catalogue documenting the exhibition and live performances presented at the III Venice International Performance Art Week. 10-17 December 2016.
To All Appearances: Ideology and Performance
The author’s concerns – which include the social meaning of illusion and the cultural manifestation of power – take the reader from Eleanora Duse to Laurie Anderson; from the puppet theatre of Kleist to Kantor’s theatre of the dead; and from the Kutiyattam temple dancers in Kerala to Womanhouse in Los Angeles.
Stories on Human Rights
Twenty two 3 minute shorts directed by international filmmakers to mark the 60th Anniversary of the Universal Declaration of Human Rights.
Part of the Library of Performing Rights (LPR) (P3041).
