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Catalogue > By Keyword > Melinda Guillen

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Native Strategies 1: So Funny It Hurts
Editor: Brian Getnick, Tanya Rubbak | Reference: P4067 | Type: Publication

The first of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community.

Alice Cunt archive Asher Hartman audience Brian Getnick Carol Cheh club community Curt LeMieux Danyel Madrid documentation gallery Geoff Tuck Hans Kuzmich history Jared Baxter Kale Likover Lauren Weedman Melinda Guillen museum Nathan Bockelman Paul Outlaw performance art USA Zemula Barr

Native Strategies 1: So Funny It Hurts
Editor: Brian Getnick, Tanya Rubbak | Digital Reference: EF5348 | Type: Digital File

The first of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community.

Alice Cunt archive Asher Hartman audience Brian Getnick Carol Cheh club community Curt LeMieux Danyel Madrid documentation gallery Geoff Tuck Hans Kuzmich history Jared Baxter Kale Likover Lauren Weedman Melinda Guillen museum Nathan Bockelman Paul Outlaw performance art USA Zemula Barr

What’s the Use?: Constellations of Art, History and Knowledge - A Critical Reader
Editor: Jorinde Seijdel, Steven Ten Thije, Nick Aikens, Thomas Lange | Reference: P3163 | ISBN: 978-9492095121 | Type: Publication

*currently unavailable*

Takes as a starting point the premise that art is best understood in dialogue with the social sphere, and examines how the exchange between art, knowledge and use has historically been set up and played out.

Adrian Rifkin aesthetics affect Alexandra Pirici Alistair Hudson Annie Fletcher body Catarina Simão Charles Esche Christina Aushana Christina Clausen constructLab contemporary art criticism Cuba cultural memory economy Emily Pethick engaged art Garden City George Yúdice Georges Didi-Huberman history How & for Whom Jean-Luc Godard Jeanne van Heeswijk Jesús Carrillo Castillo John Byrne John Ruskin labour Lara García Díaz Laurie Jo Reynolds Li Mu Liam Gillick Lucía Sanromán Manuel Borja-Villel Manuel Pelmuş Melinda Guillen Mozambique Nick Aikens politics Sara Stehr Schlingensief Stephen Wright Steven ten Thije Subtramas Tamara Díaz Bringas Tania Bruguera theory Thomas Lange time Trevor Paglen value Wendelien van Oldenborgh Yael Bartana Zdenka Badovinac

What’s the Use?: Constellations of Art, History and Knowledge - A Critical Reader
Editor: Jorinde Seijdel, Steven Ten Thije, Nick Aikens, Thomas Lange | Reference: P3109 | ISBN: 978-9492095121 | Type: Publication

This publication takes as a starting point the premise that art is best understood in dialogue with the social sphere, and examines how the exchange between art, knowledge and use has historically been set up and played out.
Part of the Study Room Guide on Live Art and Displacement (P3107).

Adrian Rifkin Alexandra Pirici Alistair Hudson Annie Fletcher border CAPP Catarina Simão Charles Esche Christina Aushana Christina Clausen constructLab Emily Pethick George Yúdice Georges Didi-Huberman How & for Whom Jeanne van Heeswijk Jesús Carrillo Castillo John Byrne John Ruskin Lara García Díaz Laurie Jo Reynolds Li Mu Liam Gillick Lucía Sanromán Manuel Borja-Villel Manuel Pelmuş Melinda Guillen migration Nick Aikens politics Restock Rethink Reflect 4 RRR4 Sara Stehr Stephen Wright Steven ten Thije Subtramas Tamara Díaz Bringas Tania Bruguera theory Thomas Lange Trevor Paglen Wendelien van Oldenborgh Zdenka Badovinac

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