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Black Performance Theory
Editor: Thomas F. DeFrantz and Anita Gonzalez | Reference: P4026 | ISBN: 978-0-8223-5616-5 | Type: Publication
Considering how blackness is imagined in and through performance, the contributors address topics including flight as a persistent theme in African American aesthetics, the circulation of minstrel tropes in Liverpool and in Afro-Mexican settlements in Oaxaca, and the reach of hip-hop politics as people around the world embrace the music and dance.
Part of the Library of Performing Rights (P3041)
aesthetics
Africa
African American
agency
Anita Gonzalez
Anna B. Scott
authenticity
Barack Obama
black
blackness
body
capitalism
Carl Paris
choreography
criticism
D. Soyini Madison
dance
Daphne A. Brooks
diaspora
economy
embodiment
ethnicity
Hershini Bhana Young
hip-hop
history
identity
Jason King
Jazz
Koritha Mitchell
labour
live art
lynching
media
Melissa Blanco Borelli
Mexico
Michael Jackson
minstrel
money
music
Nadine George-Graves
Nina Simone
performance
politics
queer
race
racism
Reggie Wilson
Rickerby Hinds
Ronald K. Brown
slavery
Soyica Diggs Colbert
Tavia Nyong'o
theatre
theory
Thomas F. DeFrantz
UK
USA
voice
Wendy S. Walters
